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little tiny fic, a missing scene of sorts? just after niko outsmarts the night nurse near the end of episode 7 đ«¶
â
âOh, did you guys know, zombies are real,â Niko says, and Charles is sure he would be more intrigued by that if she had said it at any other time, after any other event. Heâll have to ask her about that later. For now, he settles for a little sound of astonishment.
His mind is more occupied with what she did just before that, having managed to buy him and Edwin more time on earth â together â via outsmarting a literal transdimensional being.
âThanks,â he breathes out, shock still bouncing around inside him like a pinball. Niko might really be an angel, he thinks. There should really be a halo floating above her head, to match her inhuman kindness.
Edwin shifts beside him, âYes, thank you, Niko.â His voice is shaky. Charles looks over, and Edwin meets his gaze. The sight alone could kill Charles a second time, if that were possible. Despite being back in his nice, unbloodied clothing, Edwin looks just as broken as he did on the stairs, with watery eyes and an expression of clear exhaustion.
He makes a face, which Charles realizes is a sorry attempt at a smile, and his heart aches. âAnd thank you, Charles. For coming to get me.â
Without saying anything, Charles makes a move toward Edwin, pulling him into the tightest hug he can manage. Edwin tenses for only a second, before he wraps his arms around Charles in return.
âAlways, mate.â
Charles feels Edwin melt into him, like butter in a saucepan. His head finds a place to rest on Charlesâs shoulder, as he releases an unsteady sigh.
And god, Charles means it when he says âalways.â He couldnât live (figuratively speaking, anyway) without Edwin beside him, Edwin sighing in his arms, Edwin rolling his eyes fondly when he cracks a bad joke, Edwin solving cases with that clever brain of his. He wouldnât be able to stand it. Maybe he would just dematerialize, or something.
He would go to Hell a million times, if he had to. Heâd run up and down that staircase a million times and throw however many molotov cocktails it took to get Edwin out safe.
Thereâs not one thing he wouldnât do to stay with Edwin.
Charles holds him a little tighter. Heâs not sure heâll ever be ready to let go. Hopefully Edwin wonât mind; it might be a little hard to solve cases this way, but they could make due.
They will have to, because Edwin is solid and real against him, and they are not in Hell anymore, and itâs all Charles ever needs. Since he died, he has not wanted Death or The Night Nurseâs Heaven. He found his thirty-four years ago, and it is greater than anything they could offer.
With mild difficulty, Charles manages to pull back just far enough to make good eye contact. Edwinâs eyes are gray and green and they hold the whole world in them; Earth, Heaven, and Hell displayed in hues fit for an angel, a holier trinity than anything the bible could ever fathom.
Edwin takes a shuddering breath, and Charles wants to cry â wants to go back in time and take Edwinâs place.
âIâm glad you guys are okay,â Crystal says, after what feels like years. Charles tears his attention away from Edwin in his arms, to look at her. He thinks he should probably feel bad for not allowing her to go to Hell with him, but it was no place for her.
No place for Edwin, either.
âMe too.â
Niko nods, âMe three.â
Charles cracks a smile. âGlad weâre in agreement.â
Edwin squeezes Charlesâs arm tightly before letting go of him and taking a small, singular step backward, and Charles mourns the loss instantly.
They have time, thanks to Niko, he reminds himself. Literally forever.
He hugs Niko next.
#sillygirlwriting#fanfiction#dead boy detectives#dbda#payneland#charles rowland#edwin payne#niko sasaki#crystal palace
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OH MY GOD OH MY GOD OH MY GOD
BEST. SURPRISE. EVER.
BTW
I LOVE YOU ASMI I LOVE YOU SO MUCH
SOOIGJLCFGOOOOO
R o b e r t d e n e i r o
R O B E R T D E N E I R O
i'm dying. i'm actually dying
Russel T. Davies
Russel T. Davies
ily asmi
i'm laughing bc this is incredibly obvious to ME but that is EXACTLY THE SAME RHYTHM so i am in fact delighted that you knew that
Yes this is true. Twelve is the lesbian and thirteen is idk pansexual or something idk. some sort of extremely niche microlabel i feel. not 'lesbian'
YOU WOULD THINK WOULDN'T YOU but no the master just really is that much of an ego-full person. he chose the name. like every time lord gets to choose their name and he called himself the master. & honestly there is also some sort of BDSM thing going on where the master REALLY LIKES the doctor using their name. and they're also both firmly in 'I Can Fix Him' territory about each other. fucking hell
MISSY MY FUCKING BELOVED ISTG I'M SO MAD THAT THE ONLY MASTER ARC THAT HAD HER BE LIKE FIXING HERSELF WAS WHILE SHE WAS A WOMAN AND THEY HAD THAT CLEAR DELINEATION THEY MADE BTW 'THE MASTER' AND 'MISSY' & I'M JUST. I LOVE HER. YOU FUCKING GOT ME. W H Y
the fucking bigeneration i was READY TO CRY & then they gave me the BEST GIFT OF ALL FUCKING TIME WHOVIANS EVERYWHERE CHEERED ISTFG
i also fucking sobbed but that's not the point the point is it fixed me
i love how little catherine knows about doctor who. every interview they do where david and catherine are together and something factual about the lore comes up david turns to catherine like "đđ" i fucking love it
the QPR is the realest thing ever istFG it's so much stronger than stobin it really is and i'm biased towards stobin bc they're my FIRST PLANTONIC SHIP but omg they knocked it out of the park. the doctor 7 donna. forevermore. in the brains of people who have gone insane
THE FUCKING. KILLS HER. FUCK
HE KILLS HER
TO SAVE HER LIFE
BUT HE STILL KILLS HER
AND HE HAS TO CARRY THAT
FUCKING HELLLLLLLLLLL
this is what the 60th anniversary fixed in me btw. this pain. the cracks r still conveniently there & reopen when i put myself back in time within the canon
why would i do that you ask
obviously
i
must
????
pain
donna
</3.
^see. totally reasonable
the original show had shitty effects and so does the new one and everyone loves it. if u genuinely think the shitty effects of dw are something to overcome u r made aware that u r incorrect. we love our ridiculous procreate ass living bin and obviously plastic mickey. go watch avengers if u want GOOD cgi
this is profoundly accurate & also neutral which is smart bc having not watched the show u would ABSOLUTELY not be able to adequately defend your position to avoid having ppl come up to ubto ""explain" why ur wrong.
that said.
tentoo is the best ending rose tyler could have possibly had it tied in with themes in school reunion & impossible planet & family of blood & also fucking army of ghosts & doomsday & no one can ever change my mind. i fucking love it to fucking pieces u can pry the metacrisis from my cold dead hands
HE'S CALLED TENTOO BC HE'S ALSO TEN IT'S A FUCKING PUN IT'S THE BEST PUN EVER I LOVE IT
NuWho is one word & New Who is two words. Expeditiousness is the friend of all. this is the fandom that uses full-on numbers to refer to versions of a character lke the infamous "you can like 11 better than 10" post lmao u expect us to keep two words we could conpress into one??
THE TARDIS SHOULD ABSOLUTELY IMPLEMENT RIBBONS FOR SEATBELTS IF I EVER GET TO WRITE FOR THE SHOW THAT'S MY FIRST FUCKING SUGGESTION. I'M FUCKING LOVING THAT. also the tardisđđđ©”đđ©”đđđ©”đđ©”đ©”
he does indeed. bridgerton episode
the ninth doctor is sometimes a butch lesbian and sometimes something unknowable & i think it was the unknowable version that was bobbing his head. he fucking rocks also ur absolutely right he has so little rizz. he can get it
truth. nothing more to say
very very queer. nothing more to say
david tennant and catherine tate had SO MUCH FUN during that episode istg i love them so much
the sexuest person is indeed a head. apparently he was supposed to be in a certain story arc & he'd have his head chopped off and that's why he's a head but they couldn't get him. so now we just simply have to assume that he got into a beheading predicament at some point
the Meep's pronoun is the definite article. easy mistake to make. the Meep is always "the Meep". friend shaped because evil subterfuge :,[
.....uh........ idk asmi idk lmao
WAIT OH MY GOD IT'S CASSANDRA YOU'RE TALKING ABOUT CASSANDRA I'M GOING TO EXPLODE THIS IS SO FUCKING FUNNYYYYYY
*strolls into tumblr and falls on my face pretending I haven't been missing for like a month I was out getting the milk hello maggots*
Doctor Who But I've Never Watched It 2.0
For those of you feeling deja vu YES I HAVE MADE POSTS ON DOCTOR WHO BEFORE OKAY but back then I was a young uneducated lad, just a fresh blossom unfucked by tumblr. Now I am surrounded by you lot and by god do y'all love Doctor Who. And I am Educated. My DW virginity is deflowered. All that.
SO HERE WE GO, EVERYTHING ABOUT THIS SHOW I'VE NEVER WATCHED:
The show started in 1963, and then was rebooted in 2005 and the showrunner was... Robert de Neiro? Idk all I know is he gives Pedro Pascal vibes. Like his name. His name is Robert.
There have been 15 Doctors so far. One is a lesbian and it is not Jodie Whittaker, it is actually the 12th doctor.
There's someone called the Master. I don't know what that means, or if it's some kind of BDSM thing, but he has intense sexual tension with the Doctor.
He's also emo and has bleached hair and is kinda babygirl. And is called Missy.
The Doctors all have intense trauma and the 15th Doctor kind of girlbossed it by leaving David Tennant intact when they binary-fissioned.
Donna is a person played by Catherine... Tate? Not Hepburn. And she knows less about Doctor Who than I do. And Donna is in a QPR with the David Doctors (there are two of them).
David Doctor loves Donna very much. And then he kills her. But doesn't kill her. And then they have dinner together with her husband and kid.
The original show had shitty effects. The new show does too, and everyone is happy about this.
Rose is someone the David Doctor is in love with and then she ends up with a human AU of him and he leaves and the fans are very divided and passionate about this.
The human AU is called Tentoo because y'all hate using W's. What the fuck is Tentoo. What is Nuwho. Why isn't it New and Two. Help me.
THERE IS SOMETHING CALLED THE TARDIS, IT IS BIGGER ON THE INSIDE, I HAVE HAD WEIRD DREAMS WHERE IT WAS A FUCKING AUTO-RICKSHAW WITH RIBBONS FOR SEATBELTS, AND IT IS BLUE AND NOT YELLOW BUT IT WAS YELLOW IN MY DREAM. Because of a Drarry fanfic that I misread.
The 15th doctor dances homoerotically with someone during the French Revolution.
The 9th doctor kinda vibes with like his head jiggling idk I've only seen one gif of him.
The 13th doctor keeps forgetting she's in a woman's body.
It is all very gay.
David Tennant's arms are too long.
The sexiest person is a head.
The Meep's pronouns are Meep. Meep is not friend. IF NOT FRIEND THEN WHY FRIEND SHAPED??????
A buttcheek skin talks or something yeah this is all I got.
have at it y'all @robinprinceofchaos @multidimensional-trashcan @wispedvellichor @queermarzipan thanks for the second hand brainrot
*sneaks away under the cover of night* i was never here
#doctor who#asmi doctor who#!!!!!!!!!!#i'm so excited to get to read and respond to ANOTHER ASMI DOCTOR WHO POST#AAAAAAAAA#I LOVE YOU ASMI I LOVE THISSSS
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GOO GOO MUCK #1 â jujutsu kaisen x reader choose a storybook to open. aka my mythos take on jujutsu kaisen.
you've turned the page to: CHAPTER I. ITADORI YĆȘJI go back to the table of contents.
"an unchangeable colour rules over the melancholic: his dwelling is a space the colour of mourning. nothing happens in it. no one intrudes. it is a bare stage where the inert is assisted by the suffering from that inertia. the latter wishes to free the former, but all efforts fail, as theseus would have failed had he been not only himself but also the minotaur; to kill him then, he would have had to kill himself." alejandra pizarnik
prologue. â there was no other ending for this story â none where you did not end up as fodder for the beast in labyrinth, not after the king decreed that you would be the next sacrifice. how ironic that itadori yuuji doesn't seem like a monster at all, just a brilliant boy who was marked for death and sorrow.
pairings. minotaur!yuuji itadori x reader (sfw!)
song inspiration. goo goo muck â the cramps / still monster â enhypen
warnings reader comes from the royal family, has a deadbeat + awful father, mentions of injuries, death, sacrifices, angst and hurt, comfort. mildly ooc yuuji because life has dealt him a rough hand. reader picks their skin and cuticles + mention of bleeding, ambiguous ending, grief. word count. 2.9k!
a/n. y'all know i dont play abt this little guy but omg i was literally scratching my head trying to come up with decent plot. also i'm not entirely faithful to greek mythology my bad đ§ i hate spelling the word 'labyrinth' bc who the fawk came up with all that?
ask/comment/dm to be added to a taglist đ©”
mp3. when the sun goes down, and the moon comes up, i turn into a teenage goo goo muck!
you're not quite sure how long it had been since you were thrown to the rough, cold stone of the maze, where each jagged groove bit into your skin as you traced the contours of your new prison. the walls rose ever so high, swallowing you in an oppressive and towering silence and had it not been for the cold that bit your bones, you might have sobbed.
what was the weight of family, or the worth of blood, when a father could offer his own child to the gods as casually as one might surrender a coin to the tides? you could still feel the rough ghost of his grip on your shoulder, his hand heavy with the ringed wealth that he refused to give up.
all his gold, all his riches, the coffers of a kingdom that was within your rights to inherit, what did it matter in the end â when it was you that he sacrificed? the gods did not care for mercy, was that not why they were gods? but they had demanded, and the king had answered. not with offerings from hoarded treasure, but a child of his own flesh and blood. you, stripped of finery and beaten gold, and left adrift in the maw of stone and shadow.
but now, you laugh, a bitter sound swallowed by the cold air, hoping that your nerves are able to rework themselves into something braver, to allow the maze to drink in your defiance. at this point, you're not quite sure where you'll meet your end, but you've been told the beast waits, a monster of bone and sinew and deific anger, bound to the hunger of the cruel gods.
your eyes have caught the faint outline of something strewn along the path ahead, a line of small and crooked shapes against the stone. brittle sticks left to decay? a morbid curiosity has stirred within you, drawing you closer, as you kneel in thin linen onto the grimy stone.
they are not sticks at all, but fingers. withered and mummified, bent in unnatural shapes as if frozen mid-reach. dark, claw-like nails tip each one, and the skin is shrivelled and taut over bone, in a faded mauve hue. something bruised and ever so ancient.
you just cannot help the sickened gasp that escapes you, lurching back and clutching a hand to your mouth as bitterness rises and makes a home in your throat. the grotesque trail stretches on before you, and you hazard a guess that this rotten path leads into the heart of the labyrinth. a warning, a lure?
but a sound has risen from the depths of the stone around you, a low and rumbling roar that makes the walls tremble, as if the maze itself is struggling to take a breath. the noise grows, and it sends a cold shock through you that drains away every shed of defiance you had clung to.
for a moment, you can scarcely breathe, chest tight with fear. the memory of all you wanted to be, all you dreamed of becoming, hands over you like a whisper, a fragment of hope already out of reach. you think of the things you will never see, the lives you will never touch, and it startles you â how your heart breaks with a quiet desparate longing as you regret the way you lived in this short life. you wanted more than this, even if you did not get a proper death. but you wanted more than to be swallowed up as a nameless sacrifice, your thread picked out of the tapestry of history.
a flicker of thought urges you to raise the torch in your hand, to wield it as some pitiful defense. you imagine the flames as a fragile beacon against the shadows, a last defiant spark in the face of the death that you have been handed. but even the flame trembles, casting erratic shadows, and in the pallid light, you feel the futility of it all.
your strength has failed, and you sink to your knees as a numbness overtakes your body, as you bow your head, pressing your forehead against cold, damp stone.
"please..." you murmur, the word a faint breath lost in the maze, a plea without direction or expectation. whether it is mercy you seek, or simply a swift end, you cannot say. but death has never been kind, and it would never hold its hand out to you in a painless way.
but in waiting for a blow to be delivered, your eyes crack open, vision blurred by the shadows that lovingly cling to the labyrinth. each muscle is tense as you struggle to rise from the cold floor that pressed sharply into your smarting knees. but slowly, a shape and a form comes into focus â broad and menacing, a silhouette bathed in the flickering light of your torch.
at first, he seems like a nightmare sprung from the depths of the eldest primordial myths, markings etched across his skin like a map of some forbidden world, as dark ink ripples down his shoulders, down his chest.
you blink, and your gaze adjusts to the strange half-light, and you're bewildered as the black lines begin to fade, dissolving as if they were never truly there. the intensity of his form softens, and you're not sure if the monstrous edge is beginning to fade away, leaving something...unexpected in its place.
the form before you now is young, hardly older than you, with a face that seems almost human in its expressionless calm, yet somehow haunted. your breath catches, air hitching as you take in his features â amber eyes so intensely golden that they seem to glow in the dim light, fixed upon your with a gaze that is neither hostile nor welcoming, nay. just unflinchingly steady. his hair is a soft, choppy pink; like the goddess of the dawn had run her rosy-tipped hands over his head. but he is bare-chested, the lean muscle across his torso gleaming with a faint sheen, and the broad lines of his shoulders and thickened waist speak of one who has been carved for war.
you fight to quell the tremor in your chest, a rising mixture of terror and something else â something you just cannot name. there is no cruelty in his face, nor hatred. but it is a sad emptiness, a blankness, as if he himself is lost and hollow, waiting in this forsaken pit for far longer than you can possibly imagine.
but the soft rumble of his tone pulls you back, "so, you are the next one they sent?" and his voice is coloured by a kind of bitter amusement.
his eyes, that haunting amber, crease slightly at the corners, and you cannot help but notice that despite his demeanour, his face is incredibly expressive when he speaks, with a warmth that softens his gaze, but the sadness remains. a quiet and relentless grief that settles around him like a shadow.
you feel the tremour in your own voice as you stammer, leaning back against your calves, and yet still kneeling. but your head is tilted up to meet his gaze. your heart races, an awful and unsteady ba-bump! but you force yourself to speak.
"i would ask only for mercy," you whisper, "for my only crime was being an obedient child of a harsher master."
for a moment, a flicker of something unreadable crosses his face. but the boy scoffs, a bitter sound that is not entirely unkind. he looks away, his mouth twisted into a grim half-smile with no real mirth, and you watch as the puckered scar on the side of his lips crumples.
"if there was any mercy in the world," he replies quietly, "they would have just executed me by now."
you pick at your nails, at the skin that is peeling off your cuticles with a sharp sting, "mercy is as much as a myth as the gods themselves."
"and yet you choose to kneel and ask me for it?"
you've looked down, focusing on the rapidly blooming crimson, "i do not want to die."
the boy does not answer at first. instead, he just stares at you with an intensity that feels as though he's examining you from the inside out. you're not sure if you meet a hint of suspicious flickering behind topaz eyes, as if you are the real danger here.
but you just test your luck, shaky but persistent, "why would execution be a mercy?"
it is no kindness to your nerves that the question hangs in the air like a fragile thread â and his response is a growl that rumbles deep in his chest, primal and sharp. it's shaken you to your core, and in that instant your gaze blurs, with your heart slamming against your ribs as a foggy vision plays before you like a twisted reflection.
you've pushed the beast too far. and for a moment in this haze you see him, this beautiful boy, morph into the very thing you had imagined in the darkness before. a four-armed creature covered in dark markings, his form expanding and distorting into something far more grotesque. would there be savage claws, reaching for your face as you recoil, tearing you into ribbons?
but the moment passes in a breath, and he's still there, slumped against the stone. no monster, just mortal fresh. no, he has not moved to strike, nor to rush at you.
instead he just sinks lower into cold stone, pulling his knees up to his chest, and resting his elbows on them, looking almost defeated. there's a strange heaviness in his posture, as if the weight of something much larger than the maze itself is dragging him down, something wide and unbearable.
"what did they tell you before they tossed you here, alongside me?"
"they told me that i was doing my father a service," you begin, and you wonder if there is a bitter drip that falls from your tongue as you let the words fall from your dry mouth, "and that the gods would award me for my pious duty and sacrifice."
the boy raises a thin brow, a faint flicker of surprise scattering itself over his faint, pale scars, "your father. the king i gather? he sent his only heir down here?"
what a sting. even a monster could understand. even the ones trapped in the dark can understand the greed that drives the hearts of men. you grimace, a fleeting shame twisting in your gut as you nod, but it is no surprise. your father's name had never been one to inspire reverence â only fear, and the hollow hope that the gods would look favourably upon his ritualistic sacrifices. it was hard not to feel small and broken in comparison to the king who stood tall in his halls of marble.
your new companion shakes his head, almost in acrid disbelief, but he continues, "i'm not the beast that they say lives down here," and at your look of disbelief and confusion, he grinds his heel down onto sharp stone, "it's not me."
your gaze drifts over him as he speaks, and your eyes fall on the harsh marks scattered over his chest. some are thin, barely more than pale lines, while others are thick and jagged â carved into him by hands that had no mercy. there's one in particular, a long streak that cuts across his face, something etched there by something far darker than any mortal blade. like patchwork.
there's a curl in your fingers, one that scratches at you. one that tells you to reach out and place your hand on thickened skin, but you tamp it down. he must have noticed the way your eyes linger on him, and for a moment, the corner of his scarred mouth quirks upward. he doesn't seem quite offended...just aware. you shift slightly, folding your legs beneath you, the thin linen shift you wear now soiled with the grime of the stone floors. the dirt clings to the fabric, staining it a muted grey.
"the beast is not me," he says again, and there's a quiet ache in his words, "he just lives within me. that's all."
you frown, trying to make sense of his words. "he?" you echo.
the boy glances at you, his gaze distant for a moment before he continues, as if he's not looking at you, but rather past your head.
"the council said they were going to kill me at first. said it would kill the monster that lives in here -," and he presses a hand harshly at his sternum, fingers splaying against his chest, "thought it would kill him if they just put an axe to my neck. two birds with one stone."
"and then...," and his smile is harsher, rueful, "then the king decided that it would be more useful to keep me down here, extend by sentence a bit. said that i could help them like this. said i could control the beast just enough to save the lives of others."
you curl your lip, and you can't fathom the cruelty of knowing your body is a prison. that your blood, bones and sinew is being used as the bars of an enclosure. such was your father's consistent cruelty.
"i am sorry that you suffered at the king's hands."
he doesn't look up at you at first. instead, his gaze drifts to your hands, where you've ripped at the edges of your cuticles, leaving faint scars that are prone to be reopened. your fingers tremble as you shove your hands into the folds of linen, hiding the fresher, red wounds.
his voice is low, but not unkind â with his eyes lingering on your hands, "i could say the same for you."
you almost smile, feeling as though a distant thunderclap has unsettled you and shaken you.
"what's your name?"
he doesn't answer immediately, the silence stretching just enough to make you wonder if he'll speak at all. but finally, his voice emerges, laced with a faint warmth, "itadori yuuji." now his eyes flicker to you, and after a beat, he adds, almost with a touch of irony, "your highness."
the title sounds wrong here, in the dark deeps, in the hollow of this wretched place, yuuji's home. you laugh, though you're certain the sound is thinned, "i'm sorry we met under these circumstances," you say, words slipping out before you can stop them. but you are sincere â and you wonder, briefly, what it would have been like to meet him in another life or another world.
yuuji laughs softly at that, and you catch the faintest glimpse of a smile, wan but genuine. it's a tragedy, you think, at how you cannot help but marvel at the way the torchlight catches onto his beautiful silhouette, illuminating small crescent marks that lay under his eyes.
"i am too," he says, and you wonder foolishly if he, too, regrets the way he lived. the strange fate that has brought you both to this moment.
your smile drops suddenly, "i will die down here, won't i?" the question slips from your lips, softer and more naive in a way that doesn't belong in the air of this place.
yuuji frowns, the furrow of his brow deepening, and his eyes darken â is there pity in his eyes? or something else that you cannot place?
"you don't have to."
you don't believe him, not truly. you know the customs of this sacrifice. the king's laws, and the will of the gods â they all point to the same conclusion. you know this, for all of yuuji's apparent mercy cannot hold back a four-armed beast when it catches the iron scent of blood in the air.
"and when the guards come with the next prisoner?" you ask.
yuuji doesn't look at you immediately. instead, he draws faint and absent patterns in the dust with the tips of his fingers.
"the guards will never be able to report back to your father then. maybe sukuna can be of some use, for once."
you frown, a thousand questions racing in your mind â about the finality of his tone or the underlying oath of blood being spilt. but the one that rises to the surface is the unfamiliar name, "sukuna?"
yuuji shifts slightly, his posture loosening, as if he's trying to make himself more comfortable in the cramped space between you. your gaze catches on his slender fingers tracing lines in the dust.
"the beast within me. gojo said he was my uncle too, apparently."
"gojo?"
yuuji's face darkens, "he was my - " he ends his sentence abruptly, as if he has not the heart to bite the last words out.
you stare at him, bewildered, your mind struggling to process the connection heâs just made so casually, as though it were the most ordinary thing in the world. what cruel fate.
he catches your expression and laughs softly, a sound that is more bitter than it is light.
"long story," he adds, as if that explanation is enough, his eyes glinting with something unreadable as he leans back slightly, his attention slipping into the distance.
"seems like you have a lot of those," you offer heartedly, but it darkens your heart. you do not see a boy capable of great violence in front of you. in another life, itadori yuuji would have lived a happier life â surrounded by those that he loved. but when the beast, sukuna, is unleashed, who will stand between you and the creature to protect you? how haunting, for the last face you believe you will ever see is the first face that you think you've ever loved.
#yuuji itadori#itadori yuuji#jujutsu kaisen#jjk#jjk x reader#jujutsu kaisen x reader#itadori yuuji x reader#yuji itadori#itadori yuji#yuuji x reader#yuuji x you#itadori x reader#works#jjk angst#jujutsu kaisen angst#jjk yuuji
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Hey đđ wondering if you could write something where Damian and reader have been trying to have a baby for so long, and they've done all the treatments, but nothing ever worked, so theyâve stopped "trying". And then she ends up pregnant randomly, and her gift to him on Christmas is a positive test or a cute onesie or whatever, and it takes him a minute to actually believe her đđ
i love this request so much! working on it!
damian priest x reader
likes, comments and reblogs are always appreciated!
âŒïžmention of infertility, pregnancy, pregnancy sickness, a little angst, mention of smut, fluff and comfortâŒïž
early christmas present
one year and a half.
one year and a half of you and damian trying to have a family together. one year and a half of you going from doctor to doctor, clinic to clinic and changing different treatments and yet nothing ever happened.
maybe it wasnât meant to be. maybe you and damian werenât fit to be parents and this was the sign. maybe it wasnât meant for you to be a mother in this lifetime, no matter how much you wanted to be.
and you spent a year and a half blaming yourself. you reached to a point where you tried to break up with damian, saying how he deserved someone who could give him a family.
he thought you were crazy when you said that. he loved you so much and the idea of losing you was killing him, so, after a lot of therapy sessions, sleepless nights crying in each otherâs arms, you came to the conclusion that it wasnât really meant to be and that there was nothing you could do about it.
the idea of being infertile never crossed your mind so it was a big shock to you but as time passed by, you learned how to live with that and instead of focusing on the bad things, you took your life back.
a few people in the company knew or more - heard - about you and damian not being able to have kids and tried to suggest you many different options, from adoption to surrogacy but even if they seemed having good intentions, it pain you to know that your own problems became public domain.
you and damian lived your life. he promised to stay by your side and he did. he knew how much you wanted this and he was hurting at the idea of you feeling like it was your fault.
you found strength to take your mind off of that and focusing on different things. helping damian training, having dates like it was your first time together, spending much needed time in each otherâs company. all the little things you loved that felt lost a year ago.
passionate nights with damian, him reminding you how much he loved you and appreciated you. you felt like yourself again and you got used of being just you and him, even if it meant for the rest of your life.
about a week ago you got sick. thinking it was just a normal cold, you let it go. but it got worse when the delicious smell of fresh bread and coffee became unbearable for you and got you nauseous every single morning.
âstomach issues again?â damian softly asked when he saw the disgust painted on your face.
âi think soâŠit smells so bad damianâ you tried to joke when damian backed off so he could drink his coffee without making you feel worse.
âdo you want me to make you something else? eggs? bacon? pancakes? anything you like?â he was so caring with you but the idea of eating made you even sicker.
âi feel like i could throw up the whole menuâ you said making him laugh âi booked an appointment for today, iâm having a check up, maybe i got some virus or somethingâŠnothing too seriousâ you tried to remain calm but the idea of being sick for so long made you worry.
âi wish i could come with you but i promised rhea i would help her trainâŠlet me call her so i can come with youâ he was about to pick up the phone but you stopped him.
âitâs not necessary damian, i promiseâ you smiled âshe needs you, iâll see you later on tonightâ he knew that you wouldnât have let him ditch rhea for a simple check up and he knew that no matter what he said, you wouldnât let him come.
he nodded, moving the coffee away so he could properly kiss you before you left the house.
a couple of hours later and you were sitting in your car, watching the people passing by as you were trying to elaborate what the doctor just told you.
you werenât sick - you were pregnant.
you were pretty sure it was impossible for you but all the tests the doctor ran turned positive.
how?
when?
your mind was racing and you couldnât stop the million thoughts that were going through it.
sure, you and damian stopped having sex with condoms when you were trying to have a baby and when you learned that you couldnât have kids you never really cared about safe sex anyway.
but how did it happen if you were infertile?
the doctor didnât have a proper answer and he already scheduled some appointments to keep you checked, saying that it was almost a miracle.
right now, you were thinking about damian.
how were you going to tell him?
many ideas crossed your mind. from a mug with âbest dadâ, to a small t-shirt or maybe even a teddy bear.
you wanted to make this special for him too so when you crossed a shoe store on your drive back home, you decided to stop and get some inspiration. immediately your eyes fell upon a baby version of the black nike sneakers he had and you thought it was going to be an awesome gift.
your baby wasnât even born and yet you were buying matching shoes for them and damian. while wrapping the box, the sale assistant smiled at you, unconsciously knowing that you had in mind.
you couldnât contain your excitement and enthusiasm so you tried to speed back home.
too much surprise damian was already back and he was watching something show when you entered the front door.
his eyes immediately fell upon you, remembering you had the visit that morning.
âhey mi amorâ he smiled âhow are you? feeling better? what did the doctor say?â thousands of questions immediately echoed in the room, making you chuckle.
âone question at a time damianâ you smiled sitting next to him on the couch âiâm feeling better, thanks, and the doctor gave me an explanation on why i keep getting sick, especially in the morningâ you tried not to be so excited but it was hard.
âso?â damian was worried. he couldnât understand why you were so happy and smiley.
instead of giving him an answer, you took the box right out of your bag and gave it to him âlet say this is an early christmas presentâŠand also the reason on why iâm always so sickâ you watched him look between you and the box âcome on, open itâ you smiled.
damian carefully opened the small box and for a moment his heart stopped.
mini shoes? he wasnât understanding.
and then it clicked.
âwhat? how? is this real?â his eyes moved between your now teary eyes and the little shoes he was holding in his hands âis it real?â
you nodded, not being able to find enough words.
âweâre gonna be parents?â he asked, now fully already knowing the answer.
âyesâŠâ your voice broke a little but the joy filling the room was worth all of the tears you were shedding.
âthis is the best gift i could ever ask forâ he wrapped you in his arms and held you as you both cried of joy.
âi already booked the next appointments. the doctor wants to run some more tests and try to understand how i actually got pregnantâŠand we have an ultrasound appointment in a week tooâŠweâre gonna see the baby soonâ you cried onto damianâs shoulder.
âfuck, i love you so much mi amorâ he quickly wiped off his tears before softly kiss your lips âand i canât believe you got us matching shoesâ he bursted out laughing.
âi canât wait to get you matching clothes, matching pjs, matching socks, everything gonna be matchingâ you joked, making him even happier.
damianâs hand went over your belly âi canât wait to meet you babyâŠâ he softly spoke making your heart warm âyou are already so lovedâŠwe love you so much, mama and papaâŠi canât believe iâm saying thisâ he was still high on emotions and you couldnât blame him.
maybe it really was a christmas miracle.
#wwe#wwe x reader#wwe imagine#wwe x you#wwe imagines#wwe one shot#wwe x oc#wwe damian priest#damian priest x reader#damian priest#damian priest fanfic#damian priest imagines#wwe damian#damian priest smut#damian priest wwe#damian priest imagine#damian priest x oc#damian priest x you#wwe damian priest x reader#damian priest x y/n#damian priest x female reader#damian priest and reader#damian priest fluff#damian priest angst#damian priest one shot#damian priest oneshot#damian priest x me lol#the judgment day x reader#the judgment day x you#the judgment day one shot
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hey youâre really good at explaining viddy games. whatâs the full story behind Amanda the adventurer bc it looks really cool but I doubt Iâll ever be able to play
Well first off if this is just based on "can't play game" and not on triggers/disabilities, I would recommend watching CoryxKenshin's playthrough of the first game, and there's plenty of playthroughs of the second, I just haven't picked a fav yet.
But otherwise, here you go:
I'm telling this in two sections: The Story As Told, which details lore as you learn it, and the Summarized, which just spells out everything as simple as possible.
Story As Told
The game starts in the year 2023 with you as the character of Riley Parkâ gender is left ambiguous, but in the second game Amanda uses they/them to refer to you, so we're probably enby. Our Aunt Kate, a librarian, has recently died, and left us a note that says we not only get her house, but she has something very important in the attic for us to check out, though she's hesitant about actually giving it to us. She tells us to watch some VHS tapes in the attic, but warns us that there's no going back once you do.
In the attic, we play VHS tapes of Amanda the Adventurer, a TV series from the early 2000s starring Amanda and Wooly, an energetic little girl and her more cautious sheep sidekick. However, there are two very suspicious things that immediately pop out: one, viewers can actually interact with the tapes, and our answers to Amanda's questions change how she reacts. Two, Amanda is saying some very eerie things that don't seem good for a kids' show, such as "It's good to be brave [and use knives without supervision] when you're alone!" and "I'm not sure where [my parents] are now."
The third suspicious thing is that after watching the first tape, the attic around you changes; suddenly, a toy oven appears on the table behind you, and when you mimic what Amanda did in the first tape to make an apple pie, you find a second tape. This sort of puzzle-solving is the main gameplay; the tapes change the world around you, and you mess with that world in order to get the next tapes.
Exploring the attic, you can find a newspaper clipping saying that the creator of Amanda the Adventurer was a man named Sam Colton, who had his daughter, Rebecca, star in a live-action pilot version. We also see a note from a girl named Joanne, saying that two years prior, her brother Jordan got addicted to watching Amanda, and then he disappeared without a trace. Now that her parents are dead, she has taken over investigating, and that she believes Kate's paranormal investigations could help.
In playing the tapes, Amanda gets more and more irritable and dark, often making jokes about death or disassociating when she's not snapping at you or Wooly. Wooly is desperately playing damage control, trying to guide Amanda to more child-friendly activities. At one point, Amanda tries to mail cookies to Kate, and Wooly tries to stop her; upon replaying the tape, Amanda is aware that something bad has happened to Kate, and Wooly tries to rewrite the tape so that she's sending him a gift instead. Both of them are also terrified of the Butcher, a stick figure with googly eyes who runs a butcher shop in their town. When you have to go there, Amanda pleads for you to not send her there, and asks, "Why can't I stop it?"
The first ending comes when you play a tape titled "Everything Rots." Amanda explores several things that are rotting, and asks you if everything rots; this is the famous line you might've seen around. No matter what you answer, the tape ends, and a giant Monster emerges from the attic trapdoor, before attacking and killing you. This Monster has the same afro-buns as Amanda, so we'll call it the Amanda-Monster. However, information you got in this ending will help you in future playthroughs. As well as this, doing "secret" activities (such as following Wooly's hints and making a peach pie instead of an apple one) will net you Secret Tapes, which you need to collect to get the true ending.
Here is the information gathered through the regular tapes:
As mentioned, Amanda knows Kate and considered her a friend. When she's aware of something bad happening to Kate, she's upset. Both times, Wooly does not want to talk about Kate or send her anything.
Amanda does NOT like Wooly. At first she treats him with neutral disdain, just kinda ignoring him, but in several tapes she actively encourages hurting him.
Amanda has a fascination with death. In the "Everything Rots" tape, she says, "Sometimes I can feel myself rotting... but it seems far away."
In certain points, if you reference words such as "butcher," "Hameln", "Sam", or "Rebecca", Amanda will have a stunned reaction and Wooly will look uncomfortable, before the tape glitches. Using "Sam" in one instance gets you a secret tape.
In one tape, Amanda encounters a "lonely kitten." She asks Riley if you'll help the kitten. If you say "Yes," she looks surprised and the tape ends. If you say "No," she'll start begging and pleading for you to as the world glitches around her. The tape will end and you will be killed by the monster.
In order to get the tapes, you sometimes have to do upsetting things, such as cutting off a doll's head (causing it to scream), or breaking a toy robot that begs you to stop. At one point, you have to kill a rat in the attic and place it in the toy oven.
And the secret tapes:
Amanda was originally a live-action program starring Rebecca Colton. It was acquired by a company named Hameln to make it into an animated show, but they started having Rebecca say suspicious things into the mic which made her dad uncomfortable. (Such things were seemingly innocuous phrases such as "bye yell," which when said quickly sound like the name of demons like Bael). Sam Colton then disappeared mysteriously, leaving Rebecca in the care of Hameln.
Children other than Joanne's brother have disappeared while watching Amanda; we see a little girl glued to the TV as Amanda plays, and her mother leaves the room for a minute, before returning to find her completely missing.
When you have enough tapes, you get a second version of "Oh No! Accidents!" in which Wooly is supposed to be injured, but isn't. Amanda insists he's still injured, but in the head, and that they need to make him better. She then drugs him and takes him to a dingy hospital set, where she says she's going to use several tools to do surgery on him. Whether you help Wooly of Amanda, she attacks and seemingly kills the sheep. You have to solve a final puzzle, in order to get a tape entitled "We Can Share." In the tape, Amanda is alone, with Wooly edited out of the intro and suspiciously lamb-based products in her lunchbox.
She will then ask Riley if she can share a secret with them. She will ask this three times, giving opportunity for Riley to refuse. Here are the three endings this tape will give you:
If you say "No" at any point, Amanda will get upset, and say "I thought you were different." The tape ends, and when you turn around, the attic is completely empty except for a note that says "Leave."
If you say "Yes" every time, Amanda will then say, in a voice ungarbled by TV static (implying she's in the room with you), "I'm out there. Somewhere." The TV will glitch and start screaming, and you have to throw a brick at it to break it.
If you say "Yes" every time AND have all five secret tapes, the same thing will happen, but a Masked Figure will appear behind you. This is the True Ending as confirmed by the second game.
There is also a final, optional ending: If you pause "What's a Family" during the weather reports and play with the weather toy, the attic trapdoor will start glowing. When you enter, you awaken as a piece of meat in the butcher shop, and the game ends. This is known as the Butcher Ending, and implies that those who disappear into Amanda's world are killed by the Butcher and subsequently eaten, likely by the Amanda-Monster that's been attacking you.
This is the end of game one. The second game picks up immediately afterwords; the Masked Figure speaks in a feminine voice, telling you she was a friend of Kate's and that she'll help you. She drives you to the library, asking you to gather the tapes inside while she keeps watch outside. Once inside, you can indeed find several new tapes while the Figure occasionally contacts you, saying that a monster seems to be following her outside; at one point, she also tells you that Kate's house has burnt down after you both left. Your goal in this game is to get into Kate's office, which is locked.
For the first few tapes, Amanda is alone without Wooly; however, a mysterious Possum will show up and try to mess with her. When it does, she is genuinely surprised to see it, not knowing who it is. Amanda is more open with Riley, often trying to say that she can't go anywhere, that she feels trapped, and that Hameln and the Butcher scare her. In fact, ANY reference to the Butcher will make her terrified and angry, and at one point can softlock you in the game. If you let her have a nightmare in the "Goodnight" tape, you see her nightmare of being watched while the Butcher looms over her; if you give her a nightlight, she calls Riley by name.
In the tape "Let's Practice Patience," suddenly Wooly appears, as if late to the program. Amanda will get angry and attack him, before the tape glitches back to the beginning. As she tries to intro the segment, Amanda snaps and says she doesn't want Wooly there; it will once again glitch to the beginning and they will continue the tape. All following viewings of the tape will have this third intro, as if Wooly was always there. It should be noted that the Hameln logo only appears in the tapes that Wooly does, and that Wooly also does not know who the Possum is.
In a following tape, Amanda will try to hunt for treasure. If you lead her to the wrong place, she will dig up what seems to be Sam Colton's clothes, look distraught, and then rebury it at Wooly's prompting. If you play it normally, Amanda will get angry that she hasn't found any real treasure, and tell Riley to give her something that will make her happy. The Amanda-Monster will then appear from behind the TV, and no matter what you give it, it will kill you, leading to the first ending.
However, once you "start over" the game, the first tape is different, with Amanda asking you to do something different than you did last time. When you do, a train set appears behind you, and having it go to the places Amanda wants to go will get you a new tape. Taking it to a different exit will also get you a secret tape.
An important tape is the one titled "When You're Feeling Bad." Amanda is having a bad day and lying on the couch, snapping at Wooly. Wooly tries to tell her a story about a knight saving a princess from a dragon; if you help Wooly tell the story normally, she will get angry and the Amanda-Monster will kill you. If you follow the story told by Amanda's drawings in the background, a mysterious narrator will tell a more tragic tale, of a princess being turned into a dragon which her beloved knight then slays, which upsets Wooly but makes Amanda happy. She will then tell the Amanda-Monster not to kill you and send it away.
Upon finishing this and replaying the "Hunt for Treasure" tape, you now have the option to give the Amanda-Monster a Wooly toy when Amanda demands treasure. It hears a roar from elsewhere in the building and runs off, breaking open Kate's office door. You can enter and find several puzzle pieces you'll need, as well as a locked desk and a broken tape titled "We Can Fix It!" First playing that tape will show nothing but horrifying glitches, but repairing it makes it only mildly glitchy as Amanda tries to fix Wooly's box of junk. After the Possum attacks Wooly in this tape, he says he's tired of this game and will try to sit down, as if waiting for the tape to end.
It should also be noted that in this tape (iirc), you can see the Butcher figure, telling you to "count backwards from ten," and that you may feel a pinch. If this seems confusing, it's what doctors usually say while putting you under anesthesia before a surgery.
The Bad Ending comes when you reach the final tape without having all of the other tapes, and you have to complete it in order to get the True Ending later. You'll watch a tape titled "Do You Feel Safe?", where Amanda expresses distrust in Wooly and a slight trust in Riley, before hearing the Masked Figure over the radio and saying she doesn't trust new friends, ending the tape. The Masked Figure will enter and tell you that she's gathering a few things, and tell you to finish up. Completing a final puzzle will get you three keys to unlock Kate's desk, which has a tape recorder (which you can't play until the True Ending) and a button that opens a door to a secret bunker, with a ladder leading into the ground.
The Masked Figure will arrive and tell you it's time to destroy the tapes. She will smash one with a hammer, causing light to emerge from it. However, the Amanda-Monster will then attack her, and Riley flees into the bunker at her urging. You'll close the door and descend the ladder as the Figure screams and dies, ending the game.
The True Ending comes with the secret tapes, which give you the following information:
There is a tape of several adults investigating the paranormal activities around the Amanda tapes, as they're noticing several references to demons of multiple religions. They conclude that Hameln is connected to a cult that hasn't been practiced publicly since the middle ages; however, as the adults start disappearing, they get more antsy about what's going on with the company and if they can actually contact "Rebecca" through the tapes. Kate believes she is talking to Rebecca through Amanda, but she's volatile. It should be noted that this tape seems to take place "fifteen years" after the show first aired, placing it in mid-2016, several years before our game takes place.
One tape shows Hameln trying to coerce Sam into telling Rebecca to trust them. They are holding him hostage and refusing to let him see his daughter unless he complies, claiming that his contract allows them to do this. He refuses, saying he did not agree to lie to his daughter.
Someone secretly filming in a hospital shows an adult woman strapped to a hospital bed being monitored by doctors who talk about "incidents." They spot the person filming and chase them; it should also be noted that this tape is labelled in the files as "Rebecca's Room."
Getting all of these will unlock the True Ending, which starts the same as the Bad Ending, with the "Do You Feel Safe?" tape. However, as the Masked Figure talks to you, this time the Possum will arrive, and seemingly recognize the voice. It jumps at the screen, shouting, "JO- JOA-" before playing dead. (It often plays dead at the end of tapes, but whether it's playing or not in this one is unclear.) Amanda and Wooly will throw its body into a dumpster and leave; if you refused to help them, they will be angry at you, and if you did, they will simply ignore you.
The Masked Figure comes in and tells you to collect everything as she gathers items. However, this time, you will be able to play the cassette tape in Kate's desk, and hear audio of her death; she is in a car, having a breakdown and telling you not to investigate the tapes, that everyone who's done so is dead, and "Joanne is dead; she trusted me." You hear the car crash, then, which is what killed Kate.
The Masked Figure enters, stunned, and reveals herself to be Joanne. She says that someone approached her and told her that if she destroyed the tapes, she could free her brother. She went to Kate, who wouldn't let her destroy the tapes, and the Amanda-Monster attacked, likely trying to protect the tapes. She pushed Kate out and told her to run, and while she survived but ended up scarred, Kate died in the following car accident. Joanne suspects that whoever told her to destroy the tapes may not have had the best intentions, and tells you to take one specific tape and run into the bunker, and finally destroy Hameln. As you do, the lights go out and Joanne is attacked. However, you see a different monster than the one that normally attacks; instead of Amanda-Monster, this one looks eerily like Wooly. Joanne's death sounds will be much more brutal and painful as you escape and end the game.
This is where we're left off until Amanda 3 inevitably drops.
Lore Summarized
In the early 2000s, Sam Colton started a local live-action television show starring his adopted daughter, Rebecca, Amanda the Adventurer. It became a local hit, and he partnered with the library and head librarian Kate to use it to promote literacy and exploration. The show was acquired by a company named Hameln, who wanted to turn it into an animated program. However, they started making Rebecca record suspicious lines that sounded a lot like demon names, and Rebecca expressed discomfort at "a man in the headphones" telling her to do bad things. When Sam started showing hesitancy at letting Rebecca do things, Hameln kidnapped and held him hostage, telling the rest of the world that he'd abandoned them and his daughter. It's most likely that they eventually killed Sam and buried his body.
Now with full control of Rebecca, Hameln had her continue their strange experiments until she too disappeared from the public eye. What is most likely is that they had her put under a medically-induced coma that transferred her consciousness into the animated world, literally turning her into Amanda; somehow, this also enabled a demon to enter the physical world with a connection to her.
Rebecca remains stagnant in the animated world, continually luring children to join her in this world, where the Butcher kills them and uses them as a meat source. Amanda doesn't seem to want to do this, and is disgusted and horrified by the Butcher, but she also doesn't seem to have a choice. The Butcher may also be connected to the doctor who put Rebecca into this procedure.
While Wooly is still ambiguous, the leading theory rn is that Wooly was a Hameln employee who was placed inside the world as a way to keep Amanda from questioning them or divulging from the path, and Wooly does not realize how long he's been in there or that Hameln has also abandoned him and made a demon out of him as well. Amanda, however, starts to pick up on this in the first game, which is why she is so violent towards him and eventually kills him.
Kate and her paranormal investigation friends began investigating the tapes after she noticed Demonology in it, but they slowly disappeared one-by-one. Kate became convinced that she could contact Rebecca through the recorded tapes of the show, which Amanda seems to confirm as she references Kate as her friend, but which Wooly didn't like.
In about 2021, a boy named Jordan Cook disappeared while watching the show. His sister, Joanne, became obsessed with finding him, and someone told her that destroying the tapes would free her brother. Kate refused to let her, and the Amanda-Demon attacked, resulting in Kate's death as she tried to escape in a car crash, and Joanne's scarring.
Following Kate's death, her house was given to her nibling Riley Park, who began playing the tapes and piecing together what happened as they also communicated with Amanda. Amanda attempted to kill and eat Wooly to prevent him from returning, but the next game shows this was not a permanent solution. Amanda does communicate to Riley that she is out there somewhere before the TV freaks out and Riley has to break it.
Joanne then meets with Riley and brings them to the library, hoping to get into Kate's office. Joanne is stalked by a monster, likely the Wooly-Demon, while Riley plays more tapes. Amanda shows even more disdain for Wooly, as mentioned, and Wooly keeps trying to steer her onto the scripted path. In these tapes, a Possum will appear and try to stop whatever they're doing; both of them are surprised and confused by its appearance.
If you destroy the tapes, the Amanda-Demon arrives and kills Joanne. But in the True Ending, the Possum hears Joanne's voice over the radio and recognizes it, implying that the Possum is Jordan. When Riley hears the audio of Kate's death, Joanne will break and tell them to run with a tape. They enter Kate's secret bunker, before seeing the Wooly-Demon kill Joanne. Riley escapes into the unknown, until Amanda 3 drops at least.
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Just One More Moment (Part 2)
Part 1: Here Part 2.5: Here
Plot: As the hunt for the crown narrows down, one more moment is all that is needed. The Pogues and Rafe end up separated and fighting for their lives once again, except this is all or nothing. Life or Death.
*Season Four spoilers!*
OC Maybank twin + platonic Pogues x Rafe Cameron
Warnings: OuterBanks, Season 4, Death, mentions of murder and murdering, violence, homicidal tendencies, blood, angst, a bit of fluff, guilt, anger, allusions to abuse, mention of kidnapping.
Word Count: 4.8k+
Note: This is getting split into two parts itself before the heavy angst is posted because I keep getting carried away. I hope you enjoy!
~~~~~~~~~~~~~~~~~~~~~~~~~~
Something in JC told her everything was going to change. A voice that screamed louder and louder the closer they got to Agapenta. However, she pushed it down and ignored it. Her family was safe and alive, albeit a little run down but still stronger than ever. There had been times when that little voice was wrong, and she refused to allow herself to fall into the darkness that was slowly rising within her. She had watched JJ dance with death before, hell she had danced with death before. There was just something about his recent death dances that raised warning bells, make her skin crawl, and made her panic. She was going to keep him safe, protect him above all costs, that JC vowed.
JC sat next to JJ in the back of jeep, Kiara sitting on her brotherâs lap. She was happen for them. She loved their love and was their number one supporter. Kiara brought a type of peace to JJ that he had never had, a peace that he needed and deserved. Not to mention the love she brought, the love JC knew her brother was worthy of even if he struggled to come to that conclusion himself. JC smiled as she watched her family, these were the individuals that mattered the most. Pogues for life and her family. Wherever they went, it was them that was Poguelandia, it was not a place but them as a whole.
As John B pulled the jeep to a stop in front of a well, JC hoped out of the back stretching her legs. She walked over to JJ as she saw him eyeing something and as she saw the bag she felt her stomach drop. It was Groffâs bag. She could feel the anger and hatred bubbling free from the cage she had stuffed it down into, her eyes darkening as she looked around before her ears registered a voice. Her lips pulled back in a snarl as she marched over to the well, ignoring how the Pogues backed up after they heard JJ say it was Groff. As JC peered down the dry well she felt her hands clench into fists. With no hesitation or remorse she wanted to leave him down there with nothing. Even if she knew he would die, it was almost poetic. He had killed their mother and said she drowned, and then attempted to kill her brother in the water, it only made sense that he would die of dehydration and of heat.
As she felt a hand land on her shoulder she met the eyes of her twin, and she could see the hesitation in him. Taking a breath she intertwined their hands, squeezing his hand as an anchor for the both of them. She nodded her head her eyes softening as she looked at her twin, âWhatever you chose baby brother I got you. Iâm not going no where.â JC felt like this was his decision, because he had spent more time with the older male and had quickly bonded with Groff in a short time. While JC wanted to kill him or let him die, she knew it was her brotherâs choice. JC was not angry when JJ threw down water to the man, she knew he wouldnât be able to live if he had proved to be exactly like the man.
Their whole lives the twins fought to prove that they were nothing like Luke and now it seemed they needed to prove they were nothing like Groff either. Two fathers, both shitty, and a constant fight to prove to others and themselves that blood or not they werenât like their fathers. JC was proud of JJ, because he was better than her and would always be better. However, JJ would tell anyone that JC was the better twin. That she was better in every way, and he knew she wasnât above becoming a villain to others for her family. There was something about the loyalty she had that he wished he had. Not to mention how she always seemed to have a sixth sense about people and situations. JJ thought she was the best, that JC deserved everything and nothing less. That when he looked at her and she held his hand, he couldnât give Groff the rope.
He couldnât give Groff the rope not because the older man hurt him, but because Groff hurt both his girls. He knocked Kiara out and locked her up in the ice bucket. Something JJ wish he had known earlier so he could have beat the shit out of Groff. Then when JJ had seen his twins face after they pulled him from the ocean it broke his heart. He had never seen her as distraught as he had in that moment. How appalling she looked. When JJ and Kiara got the bends, JC had been so calm and put together. His sister had soothed and coddled him like a baby the whole way to the hospital, never once crying or showing distress. He had even been told by John B that when he had gotten hit by the machete and was unconscious that JC never lost her cool then either. In fact JJ had always seen JC as unbreakable and tough, having rarely seen his twin ever break down. She was a rock, his rock and the rock of the Pogues. When John B had presumably died, she had cried but held him as he broke down. When nights with Luke were terrible and the twins had to flee for their own safety JC would shed a few tears but check up on him. His sister was the epitome of strength and JJ didnât like seeing her so hurt. Groff did that and JJ couldnât let that slide.
JC watched in awe of her brother as he turned his back to the well after throwing down the jug of water to Groff. Her kind and amazing brother, she was proud of him. Always. However, as she heard Groff throw threats towards them, towards JJ she snapped. âSay another word Groff and Iâll kill you right fucking now.â The murder in her tone was promising and she was glad when the evil man shut up. Turning on her heel she walked over to JJ who already had his hand held out. The other Pogues were staring at her but the silence was broken by Pope. âGlad heâs shut up. Was ready to catch another felony for you Maybankâs.â Laughs filled the desert area as JC stepped forward letting go of her twins hand to pull Pope into a tight hug. âNah, I would have acted first.â JC pulled away and smiled at Cleo before pulling the girl into her hug with Pope. Hugging Cleo and Pope as tight as she could. Before the rest of the group joined in and it was the best but hottest group hug ever.
âAlright, you crazy killers letâs go get our crown!â A bunch of whoops left the groups mouths at John Bâs words, and like obedient children they found themselves back in the jeep driving towards Agapenta. Away from the well, and probably one of the most evil individuals they have ever met, Groff. No remorse or hesitation within any of them as they did so. For one doesnât hurt a Pogue and get away with it, not their family.
JC couldnât help the gasp of awe as she saw the city beyond the cliff. It was massive and without the map she didnât know how theyâd find the crown. However, as she looked at her friends she knew they would. After everything theyâve been through and done? It would be unlikely for them to not find the treasure, they had a great track record of finding treasure. Keeping the said treasure was another story though. Her eyes met JJâs and the twins fist bumped each other as they smiled like maniacs. âLetâs get our crown, Pogues for Life!â Cheers left the friends as they repeated their mantra before John B continued driving.
JC hoped out of the back of the vehicle once John B pulled to a stop and turned it off. Announcing that they would do the rest by foot. The group quickly walked along the bushes before JC jumped at the sound of a gunshot. Her eyes narrowed through the bush as she stood next to Sarah. Rafe Cameron stood with the map and the key to read it, in front of the Lupine Corsairs guns pointed at him. Part of JC wanted to leave Rafe, but another part knew they needed him, that she needed to save him. Not just because of the map he held, it was apart of it but because he had saved her life and kept her safe. A debt and loyalty she owed to him. JC turned and looked at Sarah and knew her friend felt just as conflicted, however at the end of the day that was her brother, her blood.
JC slowly connected their hands, smiling supportive at her friend knowing Sarah needed it. Sarah gave a faint smile back and clutched JCâs hand needing the comfort of the other girl. âTheyâre gonna kill him.â JC turned her head to stare at Cleo with an are you serious look, only to snap her head and glare at Pope as he spoke; âDo we care?â At the same time JJ and JC spoke; âYeah, that's a good question, Pope.â and âYes, of course we care Pope.â The twins glared at each other as if silently battling and communicating with each other.
JC rolled her eyes and looked back at Sarah, moving her hands to gently rub her shoulders trying to further soothe the growing distraught girl. Ignoring Cleo and the fact she stated about them taking the scroll if they did kill Rafe. JC leaned over and whispered softly to Sarah, âItâs up to you. Say the word or give the signal and weâll help him. Iâll save him.â JC smiled as Sarah faced her and nodded before turning back and staring at Rafe as she bit her lip in thought.
âThere are seven of them. They all have rifles.â JC rolled her eyes at John Bâs obvious analysis of the situation. Biting her tongue to keep herself from saying anything sarcastic. âI know. That's why we're gonna need to think outside the box.â JC watched as JJ pulled the gun from behind him and checked it for bullets. She left Sarah side and moved over to JJâs other side, her eyes narrowing as she watched him. âWhat are you doing?â JC agreed with John Bâs question, because she didnât want to believe her little brother would be that reckless but then again the Maybankâs were quite known for being ridiculously stupidly reckless. Placing her hand on her brotherâs shoulder she wasnât going to let him do it alone, and together the twins spoke simultaneously; âDiversion.â They glanced at each other, knowingly smirking as they thought of the chaos they could cause together.
âDudes, you can't be serious. This isn't Call of Duty.â JC rolled her eyes as she pulled a knife she had swiped from her boot, holding it up in triumph. âNo itâs not, but our lives have never been normal Pope.â JJ nodded along with his twin before cocking the gun and placing it back in its position behind his back. âWe got four rounds, seven of them.â JC rolled her eyes as the others got involved and JJ began trying to explain the plan. âLook four rounds, and a knife. Iâd say our odds our pretty good!â JC laughed as JJ nodded towards her before they caught Sarah grabbing the gun and aiming towards the Corsairs. JC held her hands out towards Sarah before she realized what her friend was doing. JC bit her lip as she fought a smile, her eyes watching Sarah closely as she silently cheered her on.
âThatâs my brother.â As Sarah spoke and shot the gun, expertly hitting the gas tank and blowing the vehicle up, JC couldnât help but quietly cheer rushing forward and placing both hands on Sarahâs shoulder. âOh my god! Way to go Sharpshooter!â The excitement was short lived as they all had to run for their lives. The Corsairs shooting at Rafe and they all ran. JC laughed at Pope as he spoke, âLetâs alert them to our location. Thatâs a great idea.â Catching up to him she gently punched his shoulder, a wide grin on her face as adrenaline and excitement pumped through her. âLive a little Pope. Being shot at or running for our lives is old news.â
JC laughed louder as she heard Pope curse, running to move next to her twin and as JJ fell she immediately stopped. Wrapping her arms around his forearm and pulling him up, silently communicating with him before they both started running again. JC kept a hand on JJ as they ran, and once he secured his gun again he held her hand, squeezing it tight. The twins found moments like this were where they felt most alive and most aware of shit. Both of them knew it was because of how they were raised and the chaos they grew to love in a deranged and dangerous way. However, if they had each other then theyâd be okay.
JC didnât realize how far they fell behind or how JJ was holding his gun until Pope was yelling for them to hurry up. As they crossed the threshold JJ, Pope, and herself threw themselves against the door as they moved the plank to lock it. Being aware to try and doge the bullets being fired at them. Her eyes connecting with Rafeâs and she wanted to glare at him, to scream at him, but she couldnât bring herself to do either. Especially with how disheveled and anxious he looked.
Just as quick as they had stopped they were off running once again, pausing as they ran into some farm area with a bunch of sheep. Pope, Kiara, and John B immediately working to barricade the door. JC looked around, her eyes immediately trying to find and exit or even perhaps any weapons they could utilize. JJ grabbed her hand pulling her as he ran deeper into the shelter of a maze. JC following without hesitation. She slowed to a stop as JJ beckoned the others before he held his side and began groaning. She held his side as he told the others to keep going, her eyes wide with worry for her little brother. Before she met the eyes of Cleo, and she knew her best friend was gonna do something. âGive me the gun!â
JJ immediately questioned it, but JC knew why. She could tell Cleo was protecting them, was fighting for them. Was giving the twins a break and forcing themselves to take a break from always risking themselves. Except JC didnât like it, she didnât like the idea of anything happening to her friends and she could tell JJ didnât either. JC felt like she was dissociating she could hear JJ arguing about not wanting to give it up, could hear Cleo telling the others to go, could hear Cleo telling JJ he was injured and then like clarity Pope pulled JJ and her close. His words reaching through the fog like a lighthouse. âWe got it. Weâll hold them off. Let me protect you both for once.â
JC felt her lip wobbled as she stared at her best friends. She didnât want to lose them, didnât want to leave them but this wasnât the time to argue. Quickly she pulled Cleo into a bone crushing hug, ordering her to be careful or so help her. Before she pulled Pope into a desperate and tight hug, telling him the same thing before she let JJ pull her away. Popeâs words ringing in her ears, âDonât do anything stupid.â Together the twins took one last glance at Pope, the look holding everything they wanted to tell each other before they went separate ways.
JC paused as she caught up with the others, her eyes narrowing as she saw Rafe holding a knife to John B. Her own hand itching towards the knife she had shoved back in her boot, sometime ago. She shared a glance with JJ and then Sarah, holding her hands up as she took a step forward. Her voice soothing and calm as she spoke, âRafe, itâs okay.â She watched as he glanced at her before Sarah spoke and then the knife was held to her throat. Immediately JC was next to Sarah like a protective dog, her eyebrows raised as she watched him, waiting and almost daring him to make a move. Only for him to keep speaking and turn back to John B. JC tilted her head as she studied Rafe, and she could tell he was on edge, from what she didnât know because almost dying wasnât new to any of them. But as Sarah spoke saying she saved his life and Rafe faced her again, JC understood. Her face softening as he spoke, âYou did it so you could steal it from me. There was something in it for you. All right? Not to actually help me. I know that.â
JC took a breath and stepped forward, feeling all eyes on her and Rafe facing her with the knife. âWe donât want to steal it Rafe, was there something in it for us absolutely. However, when Sarah saved you her main thought was her brother. We agreed days ago when we left home that weâd work together, an even cut for everyone. For you.â JC offered him a weak but kind smile, as John B and Sarah spoke at the same time. âRafe, we donât have time.â and âWe can read that. You canât.â JC cringed as Rafe turned back to Sarah, and spoke angrily. âWhy would I help you? Huh? I donât trust you. I donât trust any of you. Do you understand? Dad trusted you. You remember what happened to him?! Do you remember?!â
JC watched helplessly, her eyes finding JJ as Rafe raised his voice. She knew, they both knew, where their minds had gone to for a second. JC bit her lip as she turned back to watch Rafe her eyes staying on the knife as she kept herself close to Sarah. âDad died saving my life. And youâre so eager to blame me for everything, you wonât even listen to what happened. Singhâs men had me at gunpoint. I was gonna die. Dad took those bullets for me. And if he was still around, heâd want us to work together. I know you know that.â JC felt tears well in her eyes as she flashed back to that day, the deep terror she held that they were all gonna die. That she was going to lose her family. Then Ward an unlikely hero who saved them. JC looked back and forth between Rafe and Sarah like a tennis match, watching as tears filled both their eyes and she had hope that maybe one day they could have a good relationship. A true brother sister relationship, like they both deserved.
âNo, youâre just going to screw me like everyone else in my life. I know you will.â Rafeâs teary and broken sounding words broke Juniperâs heart. He looked so hurt and betrayed she wanted to pull him into a hug and never let him go. This was the Rafe she had met, had grown to known during their kidnapping. A soft, vulnerable, hurt individual who just wanted someone who was loyal and loved him. It was a constant battle because of his past actions, and then this switched heâd flip and actually be a person. She hoped this was his redemption, this was his will to change and be better, that he could build something new with Sarah and even the Pogues.
âNo, no, because Iâm all youâve got. And youâre the only family I have left.â JC moved herself over to JJ and held his hand. Her eyes staring up at him as John B spoke defending Sarah, âSheâs telling the truth.â JC watched with bated breath as Rafe nodded before repeating how heâd get his cut before holding out the map. She smiled as Sarah hugged him, as she hugged her own brother both of them smiling at each other before the faint sound of angry voices reached them. âHey, this is great and all, but we seriously gotta go.â JC stepped away from JJ as they both peered down the hallway. The twins sharing a look as Kiara told them to go.
âGo with them, June. Iâll be fine.â JC shook her head as she stared at JJ. She didnât want to leave him that was the last thing she wanted to do. But as he pushed her to follow them she relented, pulling him into a tight hug as she kissed his cheek. âStay safe Bug, please. Iâll see you shortly.â One last hug, and JC turned and ran after Rafe, Sarah, and John B. Leaving behind another friend and her twin. She hated that they were all separated now, but she trusted in them, in that they would see each other again.
JC stopped herself short of running into the back of Rafe. Both of them staring at each other for a moment before trailing after John B and Sarah. Rafe held his hand out, helping JC up the steeper steps they were climbing up and it made her heart flutter every time. Every time John B turned and helped Sarah, Rafe would turn and help her. She didnât know if he was competing or if he noticed that John B helped Sarah up steeper areas and in returned helped her up steeper areas. JC let out an exaggerated breath as they reached the top. Rafe stoping next to JB and JC next to Sarah. The two girls glancing at each other and smiling. Before Sarah spun confused and lost, âWhat now?â JC shrugged as she looked around before she glanced at the two males and watched as Rafe lifted his hand gently hitting the map against John Bâs chest. âI canât read this shit. Go for it.â JC smiled as she watched him, before it grew wider as he took the lens off from around his neck and held it out. âHere. You need this. Go.â
JC walked over to Rafe, she wasnât needed to figure out the map. She knew JB and Sarah would get it done. Hesitantly JC laid her hand on Rafeâs shoulder, a warm smile on her lips as he turned to face her, and as she spoke it was soft and filled with gratitude. âYou did good Rafe. Thank you.â She watched as he looked at her hand before trailing down her arm, and then he met her eyes. A rare and soft smiling forming on his lips as he looked at her. Sarah and John B discussing the map in the distance. âI didnât. I didnât mean it. I trust you, JC.â Furrowing her brows she looked up at the taller male, confused on why he trusted her above all people. Almost like he could see the questions in her mind he gave a small laugh, grabbing her hand from his shoulder and holding it in both of his. âI hated and despised you with everything, but then Singh happened and you were the only normal and only one I could trust. Then shit with my dad, and you were still the only normal in my life. You arenât afraid to call my bullshit, to say what you think, to protect those you care for JC. Everything, Iâve told you and confined in you has stayed with you. I trust you.â
JC bit her lip as she stared up at Rafe, wishing for a moment that this wasnât a treasure hunt, that their lives werenât in peril once again. Because selfishly she wanted just a moment more in this bubble, with Rafeâs sweet words, his finger rubbing circles on her hand, his eyes soft and caring as they stared into her soul and beyond. Letting her lip go, she took a breath before leaning forward and kissing his cheek. Pulling back she brought her other hand over and squeezed his hands. âIâll admit I hated you Rafe, and a part of me still hates your actions. However, I would never have survived Singh if not for you and Iâm forever grateful and thankful for that. I canât explain it, but that bonded us together Rafe. I trust you, but I need you to be kinder to my friends, my family.â JC giggled as Rafe nodded his head quickly before promising he would, that he would work on it, that he would be better.
And then their bubble was interrupted. JC looked over as John B was calling for them, her eyes widening as she moved over to where he stood with the map in the air. âWhat the fuck?â It was the best thing she could think to say, as a shadow of a shape appeared on the map. âWhat the hell is that?â JC shrugged as she turned around her eyes widening as she saw the same outline on the map right behind them, except it was real and a stone statue. âSee what Iâm seeing?â JC knew JB had also connected it and as Rafe turned around and saw the statue they both spoke simultaneously and the same words âHoly Shit.â
They did it! They found the crown. Of course they would, JC had no doubt because they always found the treasure. She just couldnât stop the negative thoughts creeping in because something would go wrong, it always did. âThe crown has gotta be up there. Come on, letâs go.â JC nodded as she heard Rafe walk a few steps away, her eyes on the statue as she wished the others were here. They all deserved to be here and basking in this glory. It drained from her as Rafe spoke again, trying to get their attention. JC turned around, her mouth opening in shock and disbelief of their luck as Rafe spoke making dread flow through her; âSandstorm.â JC kicked a rock, anger cursing through her veins as she threw up her hands, âFuck you universe! Fuck you.â Taking a breath she lowered her goggles and wrapped her scarf around her mouth and nose, protecting herself from the oncoming sand. Just like that, they were off running once again. A race against time, something they were all familiar with.
âCome on. Hurry. Weâve gotta try to get up there before the storm hits.â JC rolled her eyes, once again annoyed with her best friendâs ability to point out the obvious. âNo shit Sherlock. I thought we were gonna wait for the storm.â As John B glanced back at her, she mumbled a low apology. Tensions were high and she didnât need to take it out on her friends, but something was eating away at her. As if a warning was sounding off and something really bad was coming. JC let out a startled gasp as her brotherâs voice sounded from behind her; âJohn B. JC. Hey! Do you see whatâs coming?â
JC turned and pulled him into a hug, ignoring everything because she needed him. He was safe, and alive and right there in front of her. Pulling away they instinctively intertwined their hands, the twins rarely liked physical affection or contact but with each other it was one of their main love languages. As JJ asked if they had any idea on where to look for the crown, JC smiled and lifted his chin so he was staring up at the statue. âRight in front of us baby brother.â
Her smile faded as John B said they needed to climb and JJ immediately looked like he was preparing himself. No, she wasnât going to let him climb up the statue not with his injury. Not when she was there. Before anyone could say or do anything else a strong gust of wind hit and sand was filling the air like fog. The sandstorm had reached them. JC didnât like the odds of this, didnât like how it was impossible to see much less breathe even with her scarf protecting her. She felt her stomach drop as Rafe spoke, âHey, Iâm gonna go scope it out, all right? Iâll meet you all up there!â Then just like that he was gone, and she couldnât see him anymore. Her hand squeezed tighter on JJ, scared sheâd lose him too.
Then once again, the group was splitting up. JC knew they couldnât leave Rafe, not because they couldnât trust him but because he would need help. Bending down she grabbed her knife from her boot, grabbing John Bâs hand and pressing it into his palm. Her hands wrapping around his. âProtect Sarah, and protect yourself. Stay safe, and weâll see you with the crown.â She watched as they ran off, before she turned and followed after JJ and Kiara. Praying nothing would happen to any of them.
#jj maybank x reader#rafe cameron x reader#outer banks x reader#obx season 4#pope heyward#obx pogues#john b routledge#NotEnoughTime
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About the swords : ok, there might be swords on just one side, although the matter of weapons pre-Aman is yet another thing Jirt seems to have changed his mind a lot about. In Morgoth's Ring he goes from "they had only hunting weapons" to, "they had no weapons because the armouries of the gods had been shut since the chaining of Melkor" to a note that literally goes " No ! they must have had weapons to survive the great journey !".
Also, again I think the wording leaves that open to interpretation. The Teleri are armed "for the most part with bows". "Swords are drawn".
Teleri have bows though, and while, again in Morgoth's Ring, Pengoloth says that the Noldor are "the Sword-Elves", the Teleri are "the Arrow-Elves". They are meant to be skilled with them.
I also think that it is important for the way the sequence works that the Teleri are at first able to push back the Noldor, and that, again "many are slain on both sides".
Like @theoppositeofprofound. says, what we see here is the Noldor going from being the victims to being the victimisers. They go from being stolen from to stealing, they go from being the victims of a murder (Finwë) to murdering themselves, and they go from being paranoid about others attacking them to being the aggressors. The swords that they had forged were originally meant to defend themselves ; they were worried and paranoid about other Noldor attacking them ; Fingon (and others) join the fight in Alqualondë because they think that the Teleri are attacking the Noldor on order of the Valar. They just didn't set out to murder people.
And it is a "progress" : first the Noldor want to convince the Teleri to go with them to Middle-Earth. Next, they want to borrow the ships.
Next, and that's where the escalation starts, they want to steal the ships.
The Teleri resist. They push the Noldor away from the boats. "Swords are drawn".
But if at that point, if the Teleri had been unarmed and unable to resist, and push back the we-know-for-sure-armed Noldor, there would have been no fighting. The Noldor would have taken the ships by force, and left. That is what they eventually do, when they prevail in the fight.
The reason the violence escalates again is precisely because the Teleri are able to resist at first. Again, the Noldor just don't go "hey friends, come with us to Middle-Earth fight a common ennemy" to massacring everyone in sight.
The escalation of violence is progressive, because it makes more sense, and because that is how the end result is a high number of casualties on the Telerin side. This is the first ever instance of Elf-on-Elf violence ; no matter how much ready for war and sword-forging the Noldor were prior to Alqualondë, they just didn't set out as villains to kill other Elves
As far as the Noldor as a whole are concerned, Alaqualondë is also the last instance of Elf-on-Elf violence. The 2nd and 3rd kinslaying are a Fëanorian affair only, and they are pushed by the Oath. The Nargothrond Elves make questionable decisions in B&L, but we never actually see them attacking other Elves.
Eventually, the reason why there are so many killed on the Teleri side - and I agree that the final number of victims would be higher on the Teleri side, is precisely because there are able to resist at first. Again the escalation of violence is progressive.
I'd just like to add to finish with that while I agree that Alaqualondë is anything but minor - it's "the fall of the Noldor", the reason for their Doom and the reason why the Teleri refuse to take part in the War of Wrath, it's murder in paradise and yes, "a cultural wound", I just don't get the instinct to make it as unbalanced as possible, or the idea that in order to be significant it has to have a huge number of casualties. The very act of killing other Elves, people that are considered friends, of attacking them and stealing from them would be enough of a trauma.
Yes, the Noldor are stronger, better armed, more ready to kill ; yes, the eventual number of Teleri victims is probably much higher than the eventual number of Noldorin victims. But the Teleri are also not unarmed, and at least at first able to stand their own. It does not make Alqualondë less of a tragedy or the Noldor look better, or less responsible. It does explain the high number of eventual casualties though.
Sorry, but I've got to contest the concept that either of the first two Kinslayings were Totally Fine And Chill or that there were totally few civilian deaths or that the people getting killed gave as good as they got (which even if they did! the responsibility for starting a murder party remains with the aggressor!) Alqualondë is especially egregious because do you know what only one side of that fight had? Swords. Since, you know, murder only got invented last week but Fëanor was canonically brainstorming about it for years beforehand. The Noldor and specifically the Sons of Fëanor were the only people with arms made for slaughtering other people and a whit of experience using them. And while yes, you can do some damage with a fishing spear or a a harpoon, there's a reason why fishing spears are not regularly brought onto battlefields. I cannot see Alqualondë as anything but a slaughter; if it has fewer casualties than later Kinslayings it is only because of the shortness of its duration and the confusion that defined it.
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I am listening! I am invested! Please yap about your au idea!!
AHHHHHHHHHIIWJHDIEHDIANRRUFIFBFIEBF HFHDB I GET TO YAP ABOUT THIS YAYYYYYY
ok so, I honestly donât have much of an idea as to where exactly this would go, but just for the basics (which Iâm mostly coming up with on the fly, Iâll be honest) here we go:
(this ended up being quite long so everything else is under the break, sorry!)
obviously, ford and bill were not always⊠separated, as it were. growing up and into his teens and early twenties it was just stanford pines, no âalter egosâ or masks or anything of the sort (much as he wouldâve loved to be able to hide who he was).
then, when he moved up to gravity falls and began his research, he began to realize that there were so many things that he wanted to do, couldnât do, because of his reputation. he needed to keep his record clean because if he didnât, he could easily have his grant money revoked, and any future opportunities in the pursuit of science dashed due to one small slip up. so, he began to look into, well, changing who he was, splitting himself, so to speak, as to be not one but two at the same time.
eventually, it worked somehow (probably through a potion, as jekyll uses in the original book), and he found himself as not just one, but seemingly two people in one body. there was the stanford pines most people knew, the eccentric, odd mad scientist that lived in the woods at the edge of town, and then there was another, completely new facade. bill cipher, named for his often frustratingly vague double speak and extreme use of overly complicated metaphors (yes Iâm giving billâs name a reason, it sort of annoys me that theres no reasoning for hydeâs name in the book but thats a rant for another day).
to begin with, bill seems content with simply switching back and forth at fordâs will, being the way for ford to kick back and let loose with no fear of the repercussions. at least, until ford begins to have trouble getting back to himself. thats when he begins to doubt the true intent of his other self, of bill. its around this time he calls fiddleford. the man may have studied engineering, but in this world he also knows a little something about psychology, and paired with his brilliant mind, fordâs very precise notes of the situation (ahem the journals ahem), and the fact that hes basically fordâs only friend, it felt like the best course of action.
of course, in actual gravity falls, ford does his best to hide bill from fidds but here bill is exactly why ford called him. anyone else wouldâve called him crazy, tried to experiment on him or worse, but fiddeford would never do any of that and ford knows it (just to be clear, I do think that if I ever wrote anything for this au college fiddauthor would be heavily implied here).
fidds does his best to help but when bill goes on a rampage one night, going so far as to kill the heir to the northwest family, preston northwest, he knows ford is beyond fucked (just a heads up, the person bill kills being preston may change but idk, weâll see if I ever actually come back to this au haha). the reason fiddleford originally makes the memory gun in this au isnt for himself, its actually to try and erase the memories of what bill has down from the townspeopleâs minds. the only problem is that the next time they see bill all of the memories return and everyone is back at square one. its just too much for fidds, and he begins to turn the memory gun on himself in an attempt to get rid of the fear, pain, failure, and regret that helping his friend brought him.
ford on the hand is mortified by what hes done. I highly doubt that there would be a confrontation type scene, it would be closer to how the book goes, where ford quickly begins to be unable to switch between stanford pines and bill cipher. the au would probably âendâ (as in if I turned this into a fanfic/comic/whatever the story would end there) with ford figuring out where stan is, calling and begging him to come up to gravity falls and help him, before ultimately turning the memory gun on himself and ridding himself of âbillâ once and for all.
the only problem is that in order to remove bill, he has to remove stanford pines and all that he is as well. now, we all know how this goes in both the show and most aus; stan or ford or whoever it is that is possessed by bill erases themselves/has someone erase them, is weirdly blank for a bit but ultimately regains their memories. well here it⊠wouldnt work like that. bill(/hyde) is an integral part of ford(/jekyll), to remove bill(hyde) is to remove stanford pines (jekyll), theres no way around that. so, ford sort of ends up in that âblank slateâ state for the rest of his life. he called stan prior to erasing himself because he knew stan would take care of him no matter what, and he was right. for the rest of their lives, stan takes care of his brother to the best of his abilities, and while they never get to sail the seas together, and some nights bring unimaginable sorrow for stan, knowing heâll never speak to his brother again, despite the fact that very man sleeps just a few doors down the hall, they make it work. ford (or, well, whats left behind when you remove everything that makes a person who they are) sees that his blankness hurt stan but he cant do anything about it, and to begin with almost avoids stan, at least before they finally have a talk in which stan reassures âfordâ that heâs sure whatever reason ford may have had for erasing himself, it was worth it.
as for fidds, well it mostly works out in a similar way to canon, he does eventually regain most memories but of course some bits are still fuzzy. the fuzzy bits are never fully recovered, as the one person who may have been able to fill in the blanks no longer exists, but fidds is still mostly alright.
the journals⊠sort of exist? but not in the way that they do in the show, and what does exist stan had from the very beginning. ofc the twins still have to deal with monsters and spooks and whatnot in gravity falls, just not anything that has to do with bill (which means that, of course, weirdmageddon physically cannot happen). at some point, dipper begins to insinuate that the weirdness of gravity falls might have something to do with âfordâsâ⊠situation, which is when stan finally fully comes clean with all he knows about the situation. its not until fiddleford begins to regain his memory, however, that any of them learn the truth of what was going on.
oh yikes, I wrote a lot more for this than I meant to, whoops!
oh yeah, Iâm naming this au the âDr. Pines/Mr. Cipherâ au for now, but if anyone has any better ideas or if thats already been used for something else, please let me know!
also, @aaabatteryy I LOVE MARINEFLAMESâ CONFRONTATION ANIMATIC, THAT WAS ACTUALLY WHAT I WAS REFERENCING WHEN I MENTIONED OTHER ANIMATIONS USING A SIMILAR CONCEPT TO THIS AU
oh, and I just want to say that Iâve never watched the musical so thats why this doesnt (intentionally) incorporate any elements of that.
#gravity falls#jekyll and hyde#the strange case of dr jekyll and mr hyde#gravity falls au#stanford pines#fiddleford hadron mcgucket#stanley pines#henry jekyll#edward hyde#Dr. Pines/Mr. Cipher au#also sorry Iâm not very good at formatting on here so the break is a little wonky#mb chat#also also#I started reading the glass scientists!#and OH MY GOD THIS IS EXACTLY WHAT I NEEDED TO FUEL THE JEKYLL AND HYDE HYPERFIXATION#AHAIDHIEFHJEFIRNFVEHIDBD
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Ji Ho asked Jack to help him to get rid of that single bed Vlad was sleeping in - and Jack was all in. Anything that brought his best friend closer to Ji Ho was a good thing! But of course they didn't throw the bed in the trash compactor. It's not their ship - and destroying perfectly fine stuff is bad karma. Since they only use three of the four available quarters, they thought they'd just move the bed into the unoccupied one.
But this is the quarter of B.D's kids...
Ji Ho and Jack looked at each other. They are more determined than ever to bring him back to his family. This is so sad. (For me too. I haven't visited Great A'Tuin II since B.D got arrested. And seeing all the remnants of their happy times here is breaking my heart. One of his kids had even been born here on this ship...)
Jack and Jeb are busy checking - and if necessary, securing - the venitlation holes, so Jack had to get back to work. And since Ji Ho has no special task on this ship, he's the Ji Ho of all trades ^^' Today he's supposed to make an inventory of the smaller storage. To see for how long their Dilithium and supplies would last them. He was still so sad when he got there, and deep in thoughts. Ji Ho is the most sensible of them all, he can't just shake this off.
But then his attention was drawn to something... Oh no - someone (thing?) has stolen food from the containers! Metal containers at that! It seems Jack was right! There must be an alien creature on the ship! One that is able to crack (or bite ö.Ă') open sturdy metal containers!
None of the Little Ones is capable of doing this. Not even Evil Malfoy! Ji Ho was just about to flee from the scary storage, when he noticed the metal cages. Maybe the creature had escaped from them? o.o
Only one place he feels safe and secure came to his panicking mind, and that was Vlad. So he ran to their quarters. Then he heard a rustle from the ventilation shafts and he ran even faster! Oh gods!
Vlad sensed through the Bond that something was wrong with Ji Ho. He darted to the door to get to him, but Ji Ho was faster. Ji Ho was panting, his heart beating fast: "Thank the Gods, you're here." Then he told Vlad what happened.
Vlad pulled Ji Ho in his arms: "You're safe." Vlad would make sure to secure the ship together with Jeb and Jack. But later. First, he has to make sure that Ji Ho calms down. His fear and panic is shaking their Bond and Vlad can't think clear with Ji Ho being so frightened.
What Ji Ho also didn't notice in his shock state was, that Vlad moved their lily plant to their quarters.
TMI: The Lily represents beauty, purity, transformation, rebirth, and devotion.
Since awkwardness is still the main factor in their relationship, and Vlad has no idea how to calm Ji Ho (he knows very well that he makes Ji Ho only even more nervous), he went with Jack's tactic: distraction. Vlad: "I've noticed you removed my bed." Ok, that was working. Just in the wrong direction... Ji Ho's thoughts immediately went from 'omg the alien will kill and eat us all!' to 'omg Vlad will scold me because I removed his bed without his permission!'.
Vlad noticed Ji Ho's hands were still shaking and took them in his. Vlad: "Come." Ji Ho was utterly confused - is Vlad leading him away from the entrance and deeper into their quarters so the others won't hear when he yells at him? But he still followed him...
Ji Ho was so out of his head, he didn't even notice that Vlad had redecorated their quarters while he was away. He'd set up their hobby stuff - Ji Ho's music station and his easel. He'd even painted a cute mural on the wall for Ji Ho.
Vlad: "And? What do you think?" Only then Ji Ho took it all in: "Oh! That's wonderful!" Now Vlad's hands were shaking a bit, he's nervous: "So. Uhm ... we could spend time here together. If you like?" Ji Ho thought maybe Vlad didn't think it through. Vlad also has his computer here, to write on his stories: "Won't it disturb you when I do my music stuff next to you while you paint and write?" But Vlad did: "No. You use headphones, right? That's no problem." Vlad is too shy to tell Ji Ho that he is his greatest inspiration and muse.
And after the ventilation holes were secured, they spent their free time together. Without having to have awkward conversations and stupid misunderstandings. Boosting each other's creativity to new hights.
'We know how to fly Far away Weâll fly about the whole world We got used to the clouds Woo no Yeah Everywhere is already Our home'
My Zone - Block B A song from real Ji Ho's group :3
From the Beginning đ± Underwater Love đ±Â Latest
Current Chapter: starts â¶ïž here Last Chapter: 'Here comes the Sun' from the beginning â¶ïž here
đ Previous Chapters: Chapters: 1-6 ~ 7-12 ~ 13-16 ~ 23-29
#underwater love#Piglets in Space#gay sims#jack callahan#kiyoshi ito#Great A'Tuin II#simblr#ts4#vladimir tepesz#simlit#sims 4 story#sims story#the sims 4#sims 4#ts4 story#woo ji ho#vlad's lily#vlad tepesz
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skipping breakfast
if you give a mouse a cookie, he may still want to leave. (part of stranger swap, but stands on its own) contains: fear/PTSD flashback, misunderstandings, reference to past abuse
Hollowâs ears pricked at the muffled sound of a phone alarm. It was the right tone to be from this unit and loud enough that it probably was sounding from the next room over. He scowled, counting the days back in his head. He was still sure it was a Monday.
He hadnât bothered to check for the host before setting out. In the six months since theyâd moved in, they hadnât once missed a day of work. He held his breath as the alarm looped and repeated itself in a louder cryâmaybe theyâd forgotten their phone? No. Another second passed, something heavy shifted in the other room, and the alarm went silent. Maybe they were sick.
Hollow decided he didnât care. He just needed to stay out of sight, same as ever.Â
There was no good way to get off this shelf in particular without roping into the open, but the display was a decent enough place to hide, however eerie it felt. The host here made and collected miniatures.
To Hollow, and any other borrowers lured in by the strange collection, it felt like an alleyway cut out of some alternate universeâs walls or maybe a series of theater stages. The shelf was busy and strange enough that some came here even without any intention of borrowing, only to see the strange collection. The rooms were more exposed than any living space had any right to be with half the walls missing and the furniture was mostly too small to be used by an adult, but some things made more sense after seeing them as they were meant to be seenâthe sheer monotony of their counters and furniture disappeared, if nothing else.
And there was plenty to take for someone of Hollowâs mindset: piles of decorative items, wall hangings, cushions, occasional bit of dinnerwareâall of it felt much nicer than the cheap plastic and cardboard pulled out of a childâs toy box. And Hollow found that the colony kids always liked the little clay foods, familiar ingredients made alien when portrayed as handheld objects. Most stuff in these shelves was pretty junk, essentially, not stuff anyone needed, but the host also kept nice fabrics and clay and other useful materials in their crafting cabinets. The apartment was a good unit to borrow from, when the host wasnât home and thudding into the room.
Hollow ducked behind a wooden counterâone now missing a piece of its carefully arranged tea setâto get out of sight. He meant to stay there until the host settled down somewhere with something to hold their attention. He didnât have a backup plan when they decided to pause in front of this particular display shelf.
Hollow shuddered. He hated borrowing when the host was home. He hated them, all of them. He wouldnât have come here had he known the host was home. Had he left something out of place? Had they seen him? Had they already seen someone else borrowing from them? Did they know?
The shadow of the hostâs reaching hand, even while it was still a foot away, sent him scrambling in the opposite direction, making them yelp. So she hadnât actually noticed Hollow until he panicked. At least he could take advantage of the hostâs surprise to bolt. His breath trembled in his throat. He was so intent on getting safe, he forgot where he was, just that he couldn't let her catch him because this time sheâd kill him. He tore through one carefully placed scene and then another. He only stopped when he reached the end of the shelf and only to grab his lineâthe line that heâd left out on the other end of the shelf to allow for a quick escape. He inhaled sharply and considered the long drop in front of him.Â
âWhoa, no, donâtââ
Hollow jumped.
The laminate floor was far enough to hurt, he knew, but he had plenty of practice being hurt. As long as he landed right, he ought to be able to roll under that chair before she could step on him at least. It would take the kid a few seconds to get her hands down to the floor and hopefully heâd be able to get some more distance between him and her beforeâ
A mattress of flesh interrupted his fall. He stared up in horror at a strangerâs face and shook under the memory of a much angrier humanâs glare. He couldnât bring himself to move, even as he was probed by a thumb half as tall as he was. The meaty digit lingered on his right side and massaged the point where his arm ended and his prosthetic began. Hollow flinched in slow motion.
âOh,â the host breathed with a convincingly sympathetic tone. âYouâve really been through it huh?â
With a shaky hand Hollow reached for the sewing pin on his back and wished he had worn his uglier prosthetic. It was awful and clunky, and not particularly helpful on a normal borrowing run, but he bet that pen knife sticking out of it would have been enough to make a human flinch. As soon as Hollow aimed his pin down at the palm that held him, another pair of fingers came out of nowhere to easily pull it away.
âOkay, no, no, please donât make me drop you, okay? Iâm really sorry if Iâm scaring you, Iâm trying to help,â the host said.
They gave him a pitying smile and Hollow scowled, looking away his tongue before the shadows could twist back into that girl and beat him. Each time Hollow tried moving towards the edge of the palm, the host tilted their hand or brought up their fingers to block him. After several attempts, he shuddered as one of the fingers landed against his chest and sat back down in the middle of the open palm.Â
âI donât want you to fall, little guy. Why donât we go sit down at the counter? I was about to make breakfast,â the host said. The wall of their belly jerked with a brief laugh. âWell, I was going to see how that polish dried, but Iâll deal with that later. You steady?â
Hollow buried his head in his knees and tried unsuccessfully to pretend he was somewhere else. His stomach dropped as the hand swayed then bucked as his clawed toes reflexively clung to the moving floor.
The host exhaled sharply and cupped their hand to better secure him. Hollow shivered, his fur standing all on end as the flesh closed in around him, and braced to be crushed. The movement slowed and Hollow peeked out to watch the host grab one of the chairs from another display. One of his toys. Hollow was just another thing to be played with.Â
âIâm Jude, by the way, he/him,â the host said.
There was a pause.
âYou donât talk much, huh? Can you at least understand me?â
Hollow nodded, still glaring down towards the floor. He wasnât even sure if he could speak at the moment and he didnât want to try. Borrowers didnât speak to humans, as a rule, even when they did get caught. Heâd done it when he thought he had had no choice and it hadnât made things any easier.
âThatâs good, I guess, so you at least know Iâm friendly.âÂ
Hollow believed no such thing.
Jude stepped away from their miniature displaysâaway from the critical gear Hollow had left behindâand crossed the apartment to the kitchen. Hollow watched Judeâs feet shuffle across the carpet with a seething envy. It was such a quick trip this way, straight across the open room in just a few easy strides. Sometimes, he wished he had followed his mother to an outdoors life where he wouldnât have to spend so much time in human spaces where he found himself comparing their lives to his own.
âAlright, Iâll set you down here, if thatâs okay?â
Hollow would be okay being set down anywhere, even onto a heated burner, if it meant a chance to get away from the hostâs sweaty fingers. But with nothing to say and the human staring down at him expectantly, he exhaled shakily and nodded.
The hostâs fingers shifted beneath him and he slowly slid onto the blessedly solid countertop. He spun back around and craned his neck to watch the looming host. He didnât want to look at Jude, didnât like the overwhelming reminder of their difference in scale, but preferred it to facing his back to the giant.
âYouâre still shaking. You really are afraid of me, huh? I'm sorry,â Jude said. âHere, why donât you sit down?â
Hollow tensed as the hostâs second hand stretched towards him. For a moment it was the girlâs hand again and a memory of pain flashed down his spine. His half-tail twitched and tucked against his leg as he backed away. Jude set the toy chair down beside him and withdrew. He stared suspiciously at the humanâs toy couch. The back looked stiff and uncomfortable but otherwise sturdy.
âYeah, there you go. Take a minute to breathe, itâs okay, no judgment,â Jude said.
He did as he was told but as soon as Judeâs back was turned, Hollow started looking for his escape route. There was a familiar outlet nearby, one that Hollow and every other working borrower in the colony used to get into this unit. He couldnât be seen going out that way, not if anyone wanted to use it again. And it would be a shame to lose access to this apartment, this was such a good one to borrow from. He needed to get to the floor where he could escape unseen. The drop to the floor still didnât scare him; a borrower could fall a long ways without getting hurt, but so long as Jude was watching, Hollow was stuck. He wouldnât do anything that risked bringing that fucking hand back towards him.
The way Jude moved the world within the kitchen made Hollow too aware of how small he really was. The plastic vat of flour, the tower of baking powder, the door to the nigh-impenetrable refrigeratorâŠin Hollowâs world, these things were all well-secured vaults that had to be broken into. It took time and a solid plan to retrieve the contents. Jude did so instantaneously, talking the whole time, and in nearly unthinkable quantities.
No matter how many times he had been here, this was not Hollowâs world.
He sat quietly on the toy couch until the quiet got too loud and the host turned to look at him. He realized suddenly that the host had stopped talking and that the words had probably been for him and he really should have made an effort to listen. He could feel the expectation that Hollow should do something in those big eyes and he tensed, waiting for the girl to lunge forward to hurt him, or maybe this time sheâd hurtâŠ
Hollow grit his teeth. He was alone. With Jude. Who was, so. far, significantly less hostile than the girl or any other human heâd encountered. He could try to get along until he could get away. Maybe some of them were capable of mercy, or at least some patience.
He doubted it.
- Jude was already awake and out of bed by the time he registered that he had the day off and heâd just forgotten to turn off his stupid alarm. He looked back at the blankets but knew the chances of him falling back to sleep now were slim to none. He may as well take advantage of a few extra morning hours on his extra day, not that he had any plans. It was just nice to not have to rush out and deal with a parade of impatient strangers.
He stretched lazily and made his way to the front room. Sun filtered through the curtain and caught a cloud of dust particles dancing in the light. If Jude were a slightly more meticulous person he might spend the day tidying his place but already his thoughts had started to wander to what he might be able to craft or at least get started on before the dayâs end. Heâd finished his last project the previous night so could work on just about anything without stressing over anything in-progress.
At least, he hoped he had finished the project. He could check on it now that it had had time to dry. The pieces would be done one way or the other, but there was a decent chance heâd ruined them instead of finished them by using some questionable varnish. It was all he had had on hand and at 3am with nothing open but Amazon it had seemed like a good idea to risk it instead of waiting.
A shadow on the shelf shifted when he went to check and Jude screamed, embarrassed as soon as the sound left his mouth. Then came the second wave of embarrassment at being so self-consciousness when nothing was here to watch him but a few sculpted figures and their shadows.
His eyes caught back up with the movement and he realized that it hadnât been a trick of the light. Itâs just a figurine falling over, he thought at first, then, oh no, mouse? as it scrambled across the shelf. Jude shook his head as his mind caught up with his eyes. It was a tiny person, slightly larger than any of Judeâs figurines, and they were very much alive. He wasnât alone at all and for a moment he was dumbstruck.
Heâd always wanted fairies to be real. It was why he had started making miniatures and dollhouse furniture way back when he was a little girl and had persisted into his adulthood. And now, here one was, apparently enticed by Judeâs own handiwork. He had to bite back giddy laughter, lest his little guest think he was being laughed at. The poor thing looked nervous enough as it was.
Terrified even, he realized as he leaned forward for a closer look. But not scared enough to try to jump from up there, right?
Right???
Wrong.
Jude was too slow to stop him, but thankfully quick enough to catch him. He gasped as he landed in his hand. Jude didnât know why he would expect otherwise, but the intruder was so lightâabout as substantial as the mouse heâd first been mistaken for. Jude pulled his hand in close to better keep steady as he looked. him over.
He wasnât quite a fairy, at least not how most people would think of them. His guest had no wings or glitter and was far too grim to be made of light or childrenâs laughter. He didnât seem bloodthirsty enough to be the other type of fairy either. He was âŠjust a little guy, and not a very lucky one by the looks of him. He was dressed in rags and missing his arm and most of an ear. His tail looked like the end was scarred and withered; Jude suspected heâd lost the rest of that too.
The little guyâs eyes watered like he was about to cry and Jude did his best to soothe his fears. God, he was a pretty thing. Jude had spent a lot of time admiring the details of miniature things, but the little intruder was unbelievably exquisite: a masterpiece that only nature could craft. Jude was flattered that the little guy would be interested in his clumsy work at all.
He was determined to give the little guy a proper thanks before parting ways. Maybe if it went well enough, it would convince him to stay for awhile. Maybe even stick around as friends? Jude could hope. In any case, he thought pancakes and a comfortable seat would be a good start.
He did his best to move slowly and carefully as he prepped the kitchen, making sure to give the little guy as much space as he could. He wished he knew what to say to help the poor thing understand he wasnât in any danger here. Everything Jude did only made him tremble more. Maybe just sitting there with a little cap full of cool water for a few minutes would let his panic wind down.
But as he mixed the batter Jude started to worry it wasnât or that he was failing as a host in some other way. Had he missed some nicety the little guy expected or broken some unknown rule? No touching, maybe, but heâd already put him down. Were pancakes a bad choice? Heâd given Jude a quick glance at his teeth and they had looked pretty sharp, maybe Judeâs vegan pantry was no more appealing to the little guy than the sculpted fruits on the shelf.
âYou can eat this, right? Or maybe I shouldnât assume? I could do something else or even run to the store if thereâs not anything in my kitchen that looks like a proper meal to you? Is there something else youâd normally eat?â
Jude looked over to his guest for an answer and got only a slight shudder and a blank stare. A second passed and it was like the little guy saw a ghost. He paled and shrank back into the couch, mouthing something beyond Judeâs perception. It was all Jude could do not to reach out to try and physically reassure himâsomething that could only make things worse at this point.
âThatâs, aw, youâre just too quiet, huh? Um, maybe just nod or shake your head? Do you eat pancakes? Or want to, at least?â
The little guy took a breath of relief and nodded hastily, shoulders easing back down when Jude smiled at him.
Jude turned his attention back to his cooking, neatly pouring out the batter. His heart skipped with delight as he doled out a few bite-sized drops for his guest. Pancakes made it easy to offer up a miniature serving alongside his own breakfast and the stack looked perfectly adorable on the coin-sized plate heâd pulled off of his display. Evidently the meal looked good to the the little guy as well, as he was willing to lean forward to grab it off of Judeâs finger. He snatched it away with his one hand, letting the tiny fork slip down onto the countertop, and flinched back into the couch.
âCan youâŠshould I grab you a table as well? I wasnât thinking about how youâd hold itâ Jude said.
He shook his head without looking up. Jude watched with eager eyes as the little guy shifted slightly in his seat and the clasp at the end of his prosthetic opened then pinched closed, catching the edge of his plate to keep it steady in his lap and freeing up his hand.
âThatâs so cool, did you make that yourself?â
The little guy glanced at his prosthetic and, if only for a brief second, a proud smile flickered across his face. Then he nodded and hid the expression by stuffing half a pancake into his mouth.
âIâve got syrup, you donât have to eat that plain, if you donât want,â Jude offered.
His guest watched him suspiciously but his eyes widened and he nodded when he recognized the bottle of syrup that Jude retrieved. He poured a bit into the lidâheâd just have to clean it up laterâand slid it across the counter to his wary guest, who eagerly sopped up as much as he could from the cap once he was sure he had his space back. And when he ran out of pancake, he scooped out an extra helping with his bare hand. Sweet tooth, Jude thought affectionately as he sat down with a plate of his own.
âYouâve been coming here for awhile, right? Iâve noticed stuff going missing since I moved in,â Jude said.
That was, apparently, the wrong thing to say. The little guy froze, letting the rest of the syrup drop into his lap, and his eyes once more danced around in a search for an escape. Jude raised his hands in a show of innocence.
âNo, no, itâs okay! I justâyou donât have to sneak around. Iâm glad someone likes my stuff, and youâre getting more use out of it than anyone on etsy would, you know?â Jude said. âI was gonna say youâre welcome to come back again for more. I wouldnât mind seeing you again.â
The little guyâs posture truly relaxed for the first time that morning and Jude wondered what it was that was so reassuringâthat he was welcome to keep taking props, maybe? Jude hoped he wouldnât regret that in the coming weeks. Some of it would hurt to lose.
âItâs a shame you canât talk. Iâve never seen anyone like you before, you know? I donât even know what to call you,â Jude said.
The little guy chewed his lip thoughtfully for a second before pointing at the small pile of mail sitting on the edge of the counter. With a little more prompting, Jude picked out a seasonal bit of junk mail advertising local fall deals.
âThe flyer? No, the pumpkin? Uh, jack-0-lantern? Jack? Your name is Jack?â
The little guyâs brow furrowed as he shook his head. He pointed at the clip-art again, this time holding up two fingers. Two words? Two syllables? TwoâŠsomething.
âJack-o? Jackie?â
A scowl.
âUmâŠPumpkin?â
Little guy rolled his eyes.
âNot pumpkin, then? That would be cute though, a little Pumpkin,â Jude said.
Probably-Not-Pumpkin huffed impatiently and mimed writing something. Jude felt his ears tinge red. He should have thought of that.
âDuh. Okay, yeah, yeah, Iâll grab you a pencil lead or I think I haveâŠIâll find something you could use to write, gimme a sec,â Jude said.
He hopped up to grab something from his desk. He had some tiny colored pencils heâd picked up on a whim once, but theyâd probably be too large. It might force the guy write large enough that Jude could actually read his handwriting thoughâwas that selfish? After a minute or so of back and forth with himself, he snapped a bit of lead from a mechanical pencil and turned back to the kitchen. That minute was all that Not-Pumpkin needed to disappear.
Jude searched carefully around the kitchen floor, but found no sign of where heâd gone. He sighed. He really thought theyâd been getting along. He just had to hope the promise of sweets and props would be enough to bring the little guy back.
-
In the wallways, Hollow hesitated to mark the unit as unsafe. He knew Jude wouldnât forget about this visit, wouldnât forget that borrowers were real, but if heâd already knownâŠthere was no reason to get himself in trouble with the council if the host wasnât going to try and trap any intruders. Jude hadnât meant to keep him there, it seemed, though Hollow didnât understand exactly why. He was just grateful that he'd been willing to believe that Hollow would write to him.
He made hesitant scratches in the wood to warn his fellow borrowers that the host inside had seen something. It was a simple glyph, vague, and hopefully enough to make the next person to pass through extra careful. He didnât take the time to mark the other escapes. He was tired. His panic was subsiding, leaving him frustrated and exhausted.
His bag had been left behind, along with the best of his gear and all his loot. But as he trekked back through the darkness, he let relief win over the frustration. He had plenty of time to rebuild his kit. He wasnât in a cage. Heâd gotten away. Heâd even had a good, rich meal and stuffed away enough leftovers to give his daughter.
He was home. They were safe.
--
taglist: @da3dm @whumpsday @gt-daboss @whumpinthepot (To be added/removed from the taglist please comment, ask, or message, Iâll forget if itâs just in the tags of a reblog!)
#minimal editing maximal posting as always whoo#motivation remains sparse for anything chaptered sorry#g/t#giant tiny#g/t stories#g/t writing#my writing#stranger swap#oc: hollow#oc: jude
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instead of nightmare approaching horror to recruit him for the gang i think it would be cooler if he talked to undyne about it. because she would not hesitate TWICE to ship horror off to fuck knows where in the multiverse
like booo booo boring horror would never cooperate and agree to join nightmare without him doing some extra work that he cant be bothered 2 do bc its doesn't benefit him enough 4 the effort put in. AND THAT METHOD DOESN'T EVEN GIVE HIM MORE NEGATIVITY!!!!! nonono the king deserves a show :3 so he goes to undyne who's the craziest of everyone in horrortale and yk yk does some stupid mind manipulation. maybe in exchange for horror he makes up some bullshit lie about how he could save alphys (is she even alive atp) or the rest of the underground and provide them food (like the same deal that nightmare WOULD offer horror) and undynes like 70x more fucked up than horror so of course she's accept in a heartbeat. shes the queen!!!! shes supposed to provide for her subjects (even tho shes kinda. erm. making them all suffer)!!!! and all it would take was a sacrifice of the guy she lowkey doesn't like??? undyne has more reason to accept a deal like that from nm than horror ever would. and it wouldnt be the first time she sacrificed horror anyways lol
idk she sends royal guards out to snatch up horror in the middle of the day (nightmare told her to make it dramatic and tense :3) (all of snowdin would probably follow in concern because OMG WHERE IS SANS GOING????) and then yeah. just like that horrors gone! nightmare probably didn't even give him a chance to say bye to paps. undyne never ends up getting the food nightmare promised because hes a bitchass like that (and papyrus probably ends up taking up the full leader role of food provider for snowdin (if undyne even lets snowdin stay out of her control) good luck for him!)
if horror had a nickel for everytime he got forced to be a sacrifice he'd have 2 nickels. which is actually 2 too much in his eye HES PISSED!!!!!! rightfully so become man âčïž taken away from his world without even a choice or a reason (to his knowledge) or anything to benefit him??? and now hes STUCK in this disney movie castle with two freaks who look like him (what the FUCK) and then the most annoying THING he's ever had the misfortune of getting kidnapped by. he is in misery. it sucks. he IS infact bitter. if he ever came back to horrortale (which he literally would never get to without dying or losing his stolen eye) he would 500% commit anarchy and finally get rid of undynes annoying ass âŒïžâŒïž
#horror gets to join killer in the forcefully kidnapped into the gang group#would horror lose hope of ever getting back to horrortale???? yeah probably :3#unlike dust he doesn't have dt so he would NAUGHT be that persistent#dust would die trying getting back to dusttale. horror would just want to die after not being able to get back#unlike dust (debatable) or killer (he's done all he can do to help his world and wants to move on) horror still has attatchments in his au#i KNOW the constant thought that snowdin is starving without him HAUNTS him like a plaugue#im like 80% sure horrortale would not survive without horror. it would implode without horror to keep undyne somewhat in check#NOOOO because like what if it was after Aliza manages to help all of horrortale???? like undyne#like she manages to get through the undyne somehow and everything seems to be going up slowly#horror FOR ONCE has hope for everyone again and then nightmare comes in and undoes ALLLL of aliza's progress!!!!!!#THE HOPE GETTING RIPPED AWAY FROM HORROR AFTER SEEING THINGS RECOVERING WOULD DESTROY HIM (maybe idk)#can just imagine killer having to be on suicide watch for horror bc nm can tell he's in a bad mood bc of that hope#killer doesnt have to be on suicide watch for dust bc he wont let himself die if his human still exists but horror?????#horror would not have the same will that dust and killer do. he tries to jump off buildings every mission#horror leaning off a ledge and killer's just holding onto his hood like man stop it this is wasteful and pointless#why does he keep trying to kill himself and have to make killer deal with this. cant horror just like get the fuck over it and do his job#anyways dust and horror exchanging stories about their aus and reminiscing about things before it all went bad#horror gets pissy anytime dust makes an offhand comment tying his story about the genos#dust completely ignores him when horror mentions something about the famine and how it fucked everything up#they rather just take this moment to pretend everything is alright in their memories#in that moment its almost like looking into a mirror. ok triglycercule getting a bit TOO poetic there#horrordust seeing sans in eachother only when they talk about their pasts and making it a way to deal with all thats changed#tricule hc#killer sans#dust sans#horror sans#nightmare sans#murder time trio#bad sanses#nightmare's gang
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See, the thing about the Amy episode that makes Deanâs actions so reprehensible is not only the part where he doesnât trust Sam and goes behind his back to kill Amy or even the hypocrisy of Dean âyou canât change what you are so youâre going to kill someone eventuallyâ Winchester sparing the kid right after stabbing his mom, itâs that Amy is very explicitly supposed to be a Sam parallel. There is no other way about it, from the theyâre both freaks part of it to Dean dropping the line about âthe other shoeâ right before he kills her, she is Sam, how Dean reacts to her is supposed to give us insight into how he feels about Sam. And Dean. kills her.
The not very subtle subtext being that Dean is ready to off Sam if he goes too far off the deep end? Heâs aggressive and mistrustful of Sam at every turn in the episode, lays the feet of it all at Samâs hallucinations maybe leading him astray, but end of the day, Samâs crimes here are A) was tortured in Hell and B) is traumatized by that in a way that makes Deanâs life more difficult.
And it is hard to watch. To spend this whole episode with Sam being completely functional on his own, making a rational decision based on past experience and on all the information about Amy he has available, and for the episode to end with, âbut yeah, if dean thinks sam goes too far, heâs probably gonna kill him. because sam canât change or be fixed, so itâs for the good of everyone that he be put down.â
#and then of course thereâs the issue of the subtext setting something up that gets no resolution like. there is no point where dean is ever#really going to be able to kill Sam. no matter how bad his hallucinations get. not even a mercy kill crosses his mind later that season#which means that the Amy episode gets rewritten later from âexplicit Sam parallelâ to âwell we can use this for Brother Dramaâąïžâ#god. god. and really what gets me about the Amy episode in general. like Thee Horrifying Part to me.#most of their hunts are very life or death. thatâs how we get around the morality of it. either they kill the monster or it kills them.#Amyâs. not that. Dean tracks her down while sheâs running and kills her while sheâs asking him not to.#like if she had attacked him the scene would be totally different. but she doesnât. she doesnât even fight back. and he kills her.#like she has a kid and Dean is an unfriendly hunter in her motel room. it wouldnât be out of the question for her to try to kill him#to protect herself and her kid. but she doesnât. she doesnât. I donât know what you can take away from that except that she was telling#sam the truth about not wanting to be a murderer. if she wonât even try to kill Dean to protect herself.#there is no way to look at this episode that makes Dean come out looking good unless youâre willing to claim everything Amy said was a lie#AND that Dean would be right to kill Sam for *checks notes* Being Visibly Mentally Ill#fucked up. whyâd they do this.#spn#dean winchester#sam winchester#amy pond#like to be clear if youâve got a different view on this thatâs. not the above thing I just said. please tell me.#because from where Iâm standing Dean doesnât come out of this clean in any way
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#personal#it feels like im not allowed to complain about my own life on my own blog#or at least that if im allowed to that it seems very firstworld problem very selfish very not appropriate with all thats going on#that people will and do think less of me for expressing my own sadness and frustrations because theres no way it compares#to a lot of peoples very big and very real problems#but im so fucking sick of being poor and small. all ive had to eat today is 2min noodles roughly 10 hours ago#and all ill get tomorrow is a bowl of 2min noodles but ittl be another 15 or so hours until its the most reasonable to eat that#thats the real girlmath and then thats the last of my noodles. that leaves me with one (1) small tin of tuna#which might end up being tonights intermediary food if i really cant wait 15 nore hours for my next noodles but is supposed to be#the one meal of the day after tomorrow. so if i eat it too soon then i have even more time that i just dont fucking eat#im so sick to death of being in this position. like its literally killing me and theres fuck all i can do to make it better#ive tried. and i try and i try and i try but i can never afford anything#my landagent keeps sending me textx asking when theyll see a patment for my $50 water bill#i have to stop myself from texting back every time. youll see payment when im not spending literally 75% of my pay on rent alone#when i can afford to buy food and bills at the same time. whn i dont feel like kms-ing would be better than paying you my rent every frtnite#i crave a burger so bad i cant make myself do any tasks. i cant start or continue any crafts or chores because all im thinking about#is a burger like a blorbo rotating in my mind alongside the background noise that i wont get a burger and will only get noodles but not for#hours. a whole days worth of hours almost#my shitawful roomate is back and i have to play nice but he gives me the same feelings my abusive mother did. im scared to leave my room#in the safeplace house ive spent the last two years building for myself. this feels awful. things were all going so right and now#all of a sudden theyre all going as wrong as possible and im struggling so much. with no one to help. no one cares enough to help#the few people i do have are wrapped up in their own lives. which i get. but it doesnt take away the hurt of dealing with it all alone again#lot of momma trauma coming up with the end of eclipse season and i thought i was handling it. now i just feel fucking awful all the time#like ik healing isnt linear but the roomate triggers so hard things i thought i had processed and was on top of#would a burger fix that? no but itd atleast give me something to emotionally lean on for strength though it. but all ive got is noodles#24 hour apart one meal per day noodles. and tomorrow is my last pack. my only solace lately is that ive been invited to my first ever rave#or my first real rave anyway ive only been to one other 'edm event' that was not really a rave of any scale it was like 25 people#but its a halloween rave so im hoping for spooky fun dancetimes at least theres that. im out of data and spotifyprem so i havent been able#to take my silly little mental health walks bc theres zero chance im doing that without music and so itll be noce to get outside fr the rave#anyway. im doing very poorly i appreciate you few who reached out while i wasnt active but i expect ill continue to do poorly for some time
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like yes i agree that the no killing rule (esp for batman) is thematically important and relevant and that people claiming that vigilantes should just kill villains and rogues dont get it but also consider:
how fucking boring would it be if batman (& the rest) had a gun and just shot everyone.
wowee i picked up the latest batman comic lets see how he solves this pickle!! gun. he uses his gun. his batgun. he goes there and he shoots the bad guy with his gun. repeat ad nauseam for 1000 issues. fun.
#which is why i think the JT revival should have been precisely that#hand JT over to vertigo -> make him a vigilante who kills#show how dark and terrible it really becomes#would he ever be able to come back from killing? i dont think so#not even from an insanity/psycopathy whatever aspect#even if he wanted redemption; could you ever go back once youve started solving your problems by blowing them up?#could he forgive himself if he didnt kill someone who went on to kill a thousand?#JT vertigo run could have been soooo cool and complex#plus everyone would be happy. whenever someones like ooooogghhyuhg why doesnt batman kill#you point them to JT and go there is a comic for you friend!
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thinking abt shiro again...yeah no it's gonna be all day...
#im getting ready for work rn so idk how coherent i am but MAN. character of all time.#he dedicated his life to studying the stars and longing to explore them. he gets caught up in a 10 thousand year old war when he does#and is imprisoned and tortured and mutilated and made to kill for others' entertainment for a YEAR.#not knowing where either of his crewmates are. not knowing if theyre even alive. not knowing if he'll ever see home or family again.#then he manages to escape. against all odds. and he makes it back home to earth.#only to be betrayed by the very people he thought he could trust. locked up and ignored when he tried to warn them about what's coming.#he escapes from them too (sees his brother again after so so long...is he even the same person anymore...are either of them...)#before getting launched BACK into space and joining the war on the front lines. fighting the ppl who tortured and maimed him face to face.#AND his entire team is made up of KIDS. IN A WAR. and so he tries soo hard to be strong for them because god theyre just kids..#AND THROUGHOUT ALL OF THIS. DESPITE BEING MOLDED INTO A WEAPON AND LITERALLY HAVING PIECES OF HIMSELF STOLEN AND TWISTED INTO SOMETHING EVIL#HE'S STILL GOOD AND KIND AND GENTLE AND SUPPORTIVE AND HE MAKES GOOFY JOKES AND HE DOESNT KILL UNLESS HE HAS TO#ANYONE ELSE WOULD HAVE BUCKLED UNDER THE PRESSURE OF ALL THAT#BUT AT HIS CORE HE'S SO KIND. AND SO HE WAS ABLE TO GO THROUGH HELL AND MAKE IT THROUGH THE OTHER SIDE#WITH HIS KINDNESS INTACT.#crying screaming throwing up punching the wall#thinking ALWAYS about that fic where his bayard form is a SHIELD...because he's not a weapon he's a Protector......auughhhh#society if i was in charge of these characters fr.#winter speaks#voltron#shiro
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Finally watched the first knives out and. I get it. It really is that good huh.
#also a fucking tragedy#like obvs all murder mysteries are tragic to a certain extent bc like. someone died.#but this one is like. literally greek tragedy. it was all so avoidable but only in retrospect#but also in the end so completely UNavoidable bc these characters' own natures is what dooms them#like. if Marta had been just SLIGHTLY worse at being a nurse. just a LITTLE less careful. (which Ransom wanted&expected)#she might not have noticed at all that she'd used the wrong meds. and not freaked out. and avoided disaster#similarly if Old Guy whose name idk how to spell had cared about Marta a little less (which EVERYONE expected&wanted)#he wouldn't have literally killed himself to protect her#and yet. AND YET. it wouldn't have been enough bc they'd have been doomed anyways bc a more careless nurse WOULD have killed Old Guy#like PEAK greek tragedy fatal flaw shit#also. unrelated but. where WAS Marta's family from everyone kept naming different countries but i cant remember if she ever says it herself#which is v on-brand for the point the movie was making with that in the first place obvs but i kinda feel bad that i don't know#also also the fucking. full-circle eventual payoff for that comment about not being able to tell a real knife from a prop?? priceless#the SECOND i heard it i knew it was important but i just couldn't figure out how the heck itd be relevant#esp since he then instantly demonstrated that HIS knife (aka the murder weapon) was real so i was like. ok so where's this prop knife then#but then it DID come back and it was great#anyways great movie glad i watched excited to watch the second one
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